| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Programm ACT Sierre 2018 |
2018 |
ACT Performance Festival
|
|
|
of the world |
2026 |
Ohnewein, Momo
|
HyperWerk
|
|
|
Groß Geigen, Vyolen, Rybeben - Large-size String Instruments in North-Alpine Sources around 1500 |
2015 |
Frühe Streichinstrumente um 1500
|
|
|
outside Elisabeth |
2020-04-17 |
Hacker, Elisabeth
|
Peripher_ies
|
|
|
Triebjagd |
1996 |
[Andalus] et al.
|
Revolving Histories
Triebjagd
|
|
|
„Ich führe meine rechte Hand zu meiner linken Schulter – Körperlichkeit versprachlichen“ |
2018 |
Szabo, Kincsö et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
M266 Rubum quem viderat Moyses |
Josquin des Prez
|
Motet Cycles
|
|
|
M267 Germinavit radix Iesse |
Josquin des Prez
|
Motet Cycles
|
|
|
|
Zwischen Tinguely und Basilisken Basler Brunnen in ihrer Nutzung als Urban Commons |
2026-05-13 |
Bärtschi, Cathrine et al.
|
In3
|
|
Urban Perspectives |
2024 |
Petrishcheva, Daria et al.
|
Next Generation
|
|
|
Groß Geigen, Vyolen, Rybeben - Les grands instruments à cordes frottées dans les sources au nord des Alpes autour de 1500 |
2015 |
Frühe Streichinstrumente um 1500
|
|
|
[43`] |
2012 |
Klingler, Monica et al.
|
Revolving Histories
TR4NS, 4ème Edition
|
|
1CM | MONAT |
2020 |
Egger, Salome et al.
|
Revolving Histories
THINGS THAT DANCE
|
|
|
Stockfisch |
1998 |
Bottini, Max et al.
|
Revolving Histories
Stockfisch
|
|
|
Rotweisskariert |
2009 |
McKean, Christopher Scott
|
HyperWerk
|
|
|
Pressedossier Dominik Stauch «Coast to Coast» |
2016 |
Domesle, Andrea et al.
|
Videocity_memoriav
|
|
C06 Salve mater salvatoris |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
|
C17 Hodie nobis de virgine |
Compère, Loyset
|
Motet Cycles
|
|
|
|
LichtBlick |
2002 |
Koepfli, Doris
|
HyperWerk
|
|
|
A new flow. The influence of scenography on the perception and narration of public space |
2021 |
Parri, Margherita et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
River |
2020-05-26 |
Gauthier, Philippe-Aubert
|
Peripher_ies
|
|
|
metoso |
2012 |
Winterberg, Michel
|
HyperWerk
|
|
|
Soundlab |
2025 |
Esengo Ndoum, Jérémy
|
HyperWerk
|
|
|
Burning Stars |
2021 |
Holscher, Verena et al.
|
Revolving Histories
|
|
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
HyperWerk
|
|
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
HyperWerk
|
|
myFunerals #1 purification |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
ACT Performancefestival der Schweizer Kunsthochschulen
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
|
C13a Quam pulchra es (8 motets) |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
M264 O admirabile commercium |
Josquin des Prez
|
Motet Cycles
|
|
|
M265 Quando natus es |
Josquin des Prez
|
Motet Cycles
|
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2013 |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 |
Müller, Noah
|
HyperWerk
|
|
|
The Prisoners Dilemma Model +- staged |
2015 |
Naegelin, Barbara et al.
|
Revolving Histories
Masterpräsentation
|
|
|
AbstractNonsense |
2008 |
Tellini, Alessandro
|
HyperWerk
|
|
|
METAFESTIVAL |
2004 |
Kirmis, Constanze
|
HyperWerk
|