| Titel | Jahr | author | Event |
|---|---|---|---|
Szenenvorschläge HAUSS(a)EGEN 1995 |
1995 | ||
Ablaufpläne HAUSS(a)EGEN 1995 |
1995 | ||
Louise Guerra Archive: Reading Session Chapter 1-20 |
2018 |
Chapuis Schmitz, Delphine
|
La République géniale
|
.perf / association Association What About Performance Art ? |
2018 | ||
58 (+1) INDICES ON THE BODY. Indices 60_61_62_63. A Living Archive |
2014 |
De Pinto, Pier Giorgio; Lupi, Ivan [Amae Collective]
|
|
Points d'impact (Piano Nobile) |
2018 | ||
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 | ||
Belluard Bollwerk |
1983-2021 |
Ohno, Kazuo; Marclay, Christian; Hodge, Raimund; Platel, Alai; Sierens, Arne; Bel, Jérôme; Tunick, Spencer; [Schick&Spieser]; LeBoulba, Pauline
|
Bollwerk, Belluard
|
Teaching the Radical Catalogue – a Syllabus |
2024 | ||
Publikum/ Event |
2015-04-18 | ||
Say these Names, 2009-2015 |
2015-04-18 |
Minder, Maya
|
|
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
A Swiss Study Room Guide |
2020 |
Saemann, Andrea; Amsler, Madeleine; Paterson, Mary; Keidan, Lois
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
A missing narrative of Ghana’s graphic design history |
2021 | ||
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 | ||
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
Say the names |
2015-04-11 | ||
Say the names |
2015-04-11 |
Minder, Maya
|
|
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
|
|
Programm / Abstracts / Bios |
2018 | ||
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
ADVA (accessible digital visual agency) EN |
2025 | ||
message salon Ankerstrasse 6 |
1996, 1997 |
Eppstein, Esther
|
|
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
Die «Écuries» von Versailles |
2009 | ||
Die "Écuries" von Versailles |
|||
Instant Gain in Grace |
2005 |
Kulka, Irena
|
Zappy Birthday zum 150 Jahre Jubiläum der ETH
|
Nora Mathys und das Ringier-Bildarchiv |
2013-12-14 |