| Titel | Jahr | author | Event |
|---|---|---|---|
Das tieftauchen Restlicht Problem |
2017 | ||
Human Powered Dings |
2020 | ||
The Question Of Responsibility - Designer's Approach On Sustainable Guitar Making |
|||
FACILITATION IN GRUPPEN-PROJEKTEN : VON DER DEFINITION BIS ZUR ENTWICKLUNG DES CONNECTION KIT |
2024 | ||
streets are shouting |
2010 | ||
neuiBadi |
2011 | ||
Draussen |
2003 | ||
Space Record, eine Überschau |
2013 | ||
Rethinking ways of exchange |
2025 | ||
What does rest feel like in your hands |
2025 | ||
COLLECTIVE COLLECTION |
2022 | ||
MÄNNLICKEIT(EN) UND KOLLEKTIVE PRAXIS IN EINER PRO FEMINISTISCHEN UND ANTI-PATRIARCHALEN HALTUNG |
2022 | ||
Soundlab |
2025 | ||
Bit Rot |
2015 | ||
Digitalwerkstatt Basel |
2009 | ||
Striking Gold |
2016 | ||
Le Bon Ton |
2016 | ||
collint |
2008 | ||
STANDPUNKT |
2005 | ||
ZUR GOLDENEN RAMPE Die Fachstelle für Austausch. |
2019 | ||
Animierte Erklärvideos |
2020 | ||
un_raveling conflicts |
2020 | ||
Narrative Agency Making - Our-shared stories |
2023 | ||
Dokumentation als Werkzeug |
2020 | ||
Findet mich Kultur? |
2017 | ||
Debate |
2002 | ||
Assoziationen |
2002 | ||
Stereovision |
2006 | ||
winomat |
2003 | ||
ARS VITAE |
2011 | ||
Dream |
2010 | ||
deif chair |
2003 | ||
GMS Stiftung |
2014 | ||
AnkerPunkt |
2012 | ||
Hausnummer 10 |
2009 | ||
Mein Graz |
2005 |