| Titel | Jahr | author | Event |
|---|---|---|---|
C22a Beata et venerabilis virgo |
|||
Parallel history? The Archive and the Performative in the Kunsthalle Bern |
02.11.2018 | ||
Permit F |
2008 |
Fadhil, Al
|
Shifting Identities
|
Trompette marine, ~1715 |
1715 | ||
Fotodokumentation von videocity 2018 "Tomas Eller: Cosmic Strings" |
2018 | ||
C13a Quam pulchra es (8 motets) |
|||
Dancer in the Dark (Exzerpt) |
2001 |
Feldmeier, Sonja
|
|
Together Elsewhere 02: Anette Friedrich Johannessen und Judith Huber |
08-05-2021 |
Friedrich Johannessen, Anette; Huber, Judith
|
|
M250 Cito derelictus |
|||
Superwoman |
2017 |
Liechti, Theres
|
|
Ventilate (Part Two) |
2007 |
Ehlers, Jeannette
|
|
Fairytale |
2008 |
Albert, Judith
|
|
Habit de Musicien, ~1695 |
1653 -1695 | ||
Breaking an egg |
2020-07-03 | ||
1km3 |
1999 |
Haus am Gern; Steiner, Rudolf; Meyer Cesta, Barbara
|
|
M264 O admirabile commercium |
|||
Motets without Cycle |
|||
The Rewrite Collaborative Framework: Plugin |
2022 | ||
The Rewrite Collaborative Framework: Project Report |
2022 | ||
Coast to Coast |
2016 |
Stauch, Dominik
|
|
Down Part 2 |
2014 |
Palla, Ursula
|
|
Die Pause |
2016 | ||
Amaranth as Political Agent |
2025 | ||
à changer |
2018-04-17 |
Rickhaus, Andrea
|
|
à changer |
2018-04-18 |
Rickhaus, Andrea
|
|
Martha Wilson and Franklin Furnace Archive |
01.11.2018 | ||
Die Forelle |
2012 |
Hürzler, Luzia
|
|
Allégorie des vanités du Monde, 1663 |
1663 | ||
C58 O admirabile commercium |
|||
Graffiti |
2020-09-29 | ||
C51 Salvatoris mater pia |
|||
180 degree |
2016 |
Pong, Elodie
|
|
eppur si muove No. 3 |
2013/2019 |
Mundwiler, Sebastian
|
|
Le Soldat |
2011 |
Heintz, Paul
|
|
in utero (unbearable lightness_The Trivial Pursuit of Happiness) |
2007 |
Naegelin, Barbara
|
|
C09 Ave cella novae legis |