| Titel | Jahr | author | Event |
|---|---|---|---|
Nous partîmes 500 |
1984 |
Rosset, Anne; Pache, Raoul-Patrick
|
de la Bâtie
|
ÇA VA |
2021 |
Rosset, Anne; Alexander, Robert
|
|
orte ankreiden - marking locations |
1998 |
Buol, Silvia
|
Nonlieux - Poesie des NichtOrtes
|
Vom Tanzen, Leidensweg und weissen Spuren |
2021 |
Peñaloza, Maricruz
|
WE WALK – STRATEGIEN AUS ZÜRICH
|
Lecture Simultanée |
2012 |
Köhle, Petra; Vermot-Petit-Outhenin, Nicolas
|
|
Die vergessenen Kinder der Kunst |
2001 |
Burger, Sarah; Vogt, Anne; Streiff, Barbara
|
THE FORGOTTEN CHILDREN OF ART FROM GLARUS
|
Osterreichicher Kunstverein Internationales Performance Festival |
1978 |
Krinzinger, Ursula; Schwarzwalder, Rose-Marie
|
Österreichischer Kunstverein Internationales Performance Festival 1978
|
La nuit remue |
2020 |
Rochat, Anne; Monot, Julie; Tchomanga, Betty; Perole, Arthur
|
La Bâtie-Festival
|
Alpina Huus, House of Deep Transformation in 11 Acts |
2015 |
|
|
Une Histoire d'Amour |
2009 |
Rosset, Anne; Alexander, Robert
|
Stromereien 2009
|
perFORM¡ Performance-Festival 2021 "re:load" |
2021 |
Künzler, Astrid; Hochuli, Gisela [The Gathering]; Lipp, Dominik [The Gathering]
|
perFORM¡ Performance-Festival 2021 re:load
|
Performance |
2017 |
Ruffieux, Marie-Luce
|
Form Concrete to Liquid
|
Water Walks |
2009 |
Rochat, Anne
|
Les Urbaines
|
Si j'apprends à pêcher je mangerai toute ma vie |
2011 |
[pamina de coulon]
|
Who is Afraid of performance Art - Points d'impact
|
Eine BALLade, ein Einfraustück rund um den Ball in fünf Bildern |
1988 |
|
|
Can I walk like this? Strolling with self-imposed restrictions |
2021 |
Trampe, Tanja
|
WE WALK – STRATEGIEN AUS ZÜRICH
|
sing think |
2009-2012 |
Schürch, Dorothea
|
|
Silex |
2011 |
Curtat 2011
|
|
Say Yes or Die |
2012 |
Anthony, Sarah; Furtwängler, Gilles; Rochat, Anne
|
Extra Ball
|
Say Yes or Die |
2012 |
Anthony, Sarah; Furtwängler, Gilles; Rochat, Anne
|
|
partitions |
2015 |
Henchoz, Anne Sylvie
|
|
Die Löwin – eine kulturphilosophische Zeitschrift |
1975 |
Lischka, Gerhard Johann
|
|
« Je me souviens » |
2022 |
Rosset, Anne
|
|
Action Center |
2019 |
Tacheron, Anne-Lise
|
far° Nyon 2019
|
"Je me souviens" un texte et des images |
2022 |
Rosset, Anne
|
|
2*2* |
2020 |
ALMA; Wehrli, Anne Käthi; Käser, Ingrid
|
Finissage der Einzelausstellung: ALMA GrossArtig
|
.perf |
2016 |
|
|
TREMOLO |
2005 |
Stöcklin, Angela
|
Le look c'est chic
|
bon voyage |
2006 |
Stöcklin, Angela
|
DaTanzDa "Solo in Grenzen"
|
Echo of Leaf and Body - BadLab collective |
2021 |
Ayala, Paloma [BadLab]; Biedlingmaier, Lisa [BadLab]; Franchette, Anne-Laure [BadLab], Mattner, Corinna [BadLab]; Minder, Maya [BadLab]
|
Open Source Body Festival
|
PARTOUT – Platform for International Performance Art, Kaserne Basel |
2020 |
Reid, Pavana; Baird, Katy; Simôes, João; Monteiro, Ivy; Schoch, Steven; Pushkarova, Nia; Shahjahan, Vicky; Darabi, Sorour; Wehrli, Anne Käthi; Chuan, Zhao; Stirnimann, Nathalie; Stojanovic, Stefan
|
|
A Swiss Study Room Guide |
2020 |
Saemann, Andrea; Amsler, Madeleine; Paterson, Mary; Keidan, Lois
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
Essen verbindet |
2016 | ||
When the Water loves the Fire |
2022 |
Fabio Sonego
|
|