| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
glass piece #4 |
2017-04-29 |
Gobet, Melanie
|
ACT Performance Festival
|
|
|
Sackgeld |
2017-04-29 |
Gamma, Noah et al.
|
ACT Performance Festival
|
|
|
it’s not warm when she’s away #3 |
2018-04-17 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
SELF - CORONATION |
2022 |
Vanessa Gageos et al.
|
Revolving Histories
BANG BANG translokale Performance Geschichte:n / FLUID ACADEMY: MAXIMAL ENERGY - MINIMAL TIME
|
|
|
AZIONE GESTUTATE |
2022 |
Šoškić, Ilija et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
DIVIDE |
2022 |
Kiranoglu, Jasmin et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Pain - variation 11 |
2022 |
Michelet, Rebecca et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
CONFETTI : jusqu’à l’explosion CONFETTI : until it pops CONFETTI : bis es knallt |
2022 |
Gobet, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
About Time |
2022 |
Borgunska, Mercedes et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Früher eine Dorfidylle, heute Hafen und morgen? Eine szenografische Untersuchung zur Reaktivierung des Wasserzugangs und der historischen Identität an der Wiesenmündung |
2026-05-13 |
Gobet, Anaïs et al.
|
In3
|
|
|
glass piece#4 |
2016-04-23 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
glass piece#3 |
2017-04-22 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
Nimm ab! |
2018 |
Savelkouls, Mélanie
|
ACT Performance Festival
|
|
|
glass piece #2 |
2017-04-11 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
Sackgeld |
2017-04-29 |
Gamma, Noah et al.
|
ACT Performance Festival
|
|
|
melle.mey |
2017-04-22 |
Meystre, Mélanie
|
ACT Performance Festival
|
|
|
it’s not warm when she’s away #3 |
2018-04-17 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
glass piece #4 |
2017-04-29 |
Gobet, Melanie
|
ACT Performance Festival
|
|
|
glass piece#2 |
2016-05-31 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
glass piece #3 |
2017-04-22 |
Gobet, Melanie
|
ACT Performance Festival
|
|
|
Wortkörper |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Dr. Seraina Renz: "Zwischen Belgrad und Rom, zwischen Hermetik und Realität |
2022 |
Renz, Dr. Seraina et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
AZIONE GESTUTATE |
2022 |
Šoškić, Ilija et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
archetypal outfit(s) for performance artist(s) - another stage in process |
2022 |
Meystre, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
DIVIDE |
2022 |
Kiranoglu, Jasmin et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
archetypal outfit(s) for performance artist(s) - another stage in process |
2022 |
Meystre, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Besuch beim Werkzeugmacher und Schmied Niels, in der Schlosserei und Schmiede Andreas Glaser in Binningen |
2022 |
Werkzeugmacher et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
"About Time" and "CONFETTI - Until it pops": Artist talk with Mercedes Borgunska and Mélanie Gobet in conversation with Valerian Maly |
2022 |
Gobet, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n / BANG BANG – translocal hi:stories of performance art.
|
|
Two Clubs (2022): Eine Schlagperformance für zwei Schläger und einen Menschen. |
2022 |
Studer, Christoph et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Pain - variation 11 |
2022 |
Michelet, Rebecca et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
Self-Coronation |
2022 |
Gageos, Vanessa et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Sound Performances for Clothes and Experimental Voice - lecture-performance |
2022 |
Šterns, Ilmārs et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
About Time |
2022 |
Borgunska, Mercedes et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
Sound Performances for Clothes and Experimental Voice - lecture-performance |
2022 |
Šterns, Ilmārs et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
CONFETTI : jusqu’à l’explosion / CONFETTI : until it pops / CONFETTI : bis es knallt |
2022 |
Gobet, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
About Time |
2022 |
Borgunska, Mercedes et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|