| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Help! David Cameron likes my art |
2018 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Online Talk Session / Mini Lecture "Soundscape Japan, Sounds For Control And Order" |
2020-12-27 |
Bühler, Jörg
|
Peripher_ies
|
|
myFunerals #1-3 |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
Masterclass 2013
|
|
|
20 ideas for a performance at home |
2020-05-03 |
ACT Performance Festival
|
|
|
|
Urban Cable Car. Seilbahnkabine für den urbanen Raum |
2022 |
Schnyder, Jan
|
Diplom HGK
|
|
Feedback |
2012-04-05 |
Conidi, Alessia
|
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Pfister, Nara
|
ACT Performance Festival
|
|
|
Unterstützungsantrag HGK FHNW |
2006-01-03 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Projektbeschrieb |
2005-09-29 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Act Workshop |
2006-02-26 |
ACT Performance Festival
|
|
|
|
Act Workshop Programm |
2006-03-13 |
Mathis, Muda
|
ACT Performance Festival
|
|
Open archive for 23 minutes |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
OPEN - 20th Performances Art Festival
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
CHOKING I |
2024-04-20 |
Hemma, Marwan; Court, Mathilde
|
ACT Performance Festival
|
|
|
Passerelle |
2018-05-05 |
Sentkar, David
|
ACT Performance Festival
|
|
|
PRESENCING |
2018-04-18 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
"Distance" by Toshi Ichiyanagi |
2020-05-05 |
ACT Performance Festival
|
|
|
|
Pressedossier Loneliness |
2019 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
peeling #5 |
2019 |
Luedi, Juerg et al.
|
Revolving Histories
Jetzt Kunst No 7, Kunst in der Stadt, As time goes by
|
|
|
Looking Through |
2010 |
Vetrova, Katya
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Moving Backwards |
2019 |
Boudry, Pauline et al.
|
Revolving Histories
Biennale di Venezia
|
|
|
P e r f. Nº 0 0 9 / 2 0 1 9, voices, bodies and materials of the tropical rainforest |
2019 |
Šterns, Ilmārs et al.
|
Revolving Histories
The Cameroon International Festival of Performance Art
|
|
|
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
Tube (Schlauch) |
2012 |
Bucher, Claudia et al.
|
Revolving Histories
FADO
|
|
|
Cracks in the Soul |
2018 |
Nilo, Dawn et al.
|
Revolving Histories
|
|
|
Hortense |
2018-04-14 |
Oberson, Antonie et al.
|
ACT Performance Festival
|
|
|
e-flux Index #3 |
e-flux
|
e-Publications
|
|
|
|
deposit mourning, walk #4 |
2015 |
Luedi, Juerg et al.
|
Revolving Histories
Arte Laguna Prize, 21.3. - 5.4.15
|
|
|
Ein Tutkonzert mit sechs Autohupen am Thutplatz in Zofingen |
2018 |
Pfister-Köfler, Hansjörg [Mirzlekid] et al.
|
Revolving Histories
Neoscope 2018
|
|
|
e-flux Index #1 |
e-flux
|
e-Publications
|
|
|
|
Vom Hörenschlagen |
2019 |
Schneider, Olivia Talina Fosca
|
ACT Performance Festival
|
|
|
Embracing a Spanish Village Wiederaufführung der durch den Kunstkredit Basel-Stadt 2021 angekauften Performance von Sus Zwick und Muda Mathis |
2022 |
Lea Rüegg, Raffia Li, Wilfred Speller et al.
|
Revolving Histories
BANG BANG, translokale Performance Geschichte:n
|
|
|
DER LÄNGSTE TAG / THE LONGEST DAY 2014 |
2014 |
siehe 'weitere Informationen' et al.
|
Revolving Histories
DER LÄNGSTE TAG / THE LONGEST DAY 2014 – 16 Stunden nonstop Performances unter freiem Himmel
|
|
Für die Vögel - partizipative Intervention |
2018 |
Hausheer, Angela et al.
|
Revolving Histories
UM 2018 (Uckermarkfestival)
|
|
|
Fantômatisme |
2020-04-25 |
Spaeter, Jeanne
|
ACT Performance Festival
|