| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Drawing through Words – Reading through Images. Alternative Visualizations of Architectural Spaces |
2017 |
Balzan, Silvia
|
Diplom HGK
|
|
|
RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT |
2018 |
Lifshitz, Elinor
|
Diplom HGK
|
|
|
The Virtual Materiality of a Digital Image. Developing the contemporary editing techniques of digital photography by using the virtual materiality of an image |
2019 |
Jang, Hyunjun
|
Diplom HGK
|
|
|
Defining Principles of Style Through Visual Expressions. Developing an Alternative Style from the Aesthetics of Chirashi |
2018 |
Jeong, Mijeong
|
Diplom HGK
|
|
|
Press Coverage |
2025-06-07 |
migma
|
|
|
zämme-baue |
2025 |
Giannini, Michele
|
HyperWerk
|
|
|
Looking into Fog. An investigation of fog as a design element |
2019 |
Müller, Stephanie
|
Diplom HGK
|
|
|
Zwischen Vielfalt und Verunsicherung |
2025 |
Huwyler, Basil
|
HyperWerk
|
|
|
Transitions of Space |
2018 |
Paik, Haejeung
|
Diplom HGK
|
|
|
comfort common |
2025 |
Hunzinger, Nina
|
HyperWerk
|
|
|
In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 |
Barabino, Marica
|
Diplom HGK
|
|
|
Three-Tier Garden: More-than-Human Choreographies in the Post-COVID City |
2023 |
Ampatzidou, Cristina et al.
|
Werke
|
|
WE NEED SPACE UPDATED |
2019 |
Semoroz, Julie et al.
|
Revolving Histories
Swiss Performance Art Award
|
|
|
Gossip und Grossmütter |
2025 |
Schmid, Malena
|
HyperWerk
|
|
|
Following the Elephant-Nosed Fish. Reimagining our Sensorium |
2021 |
Miyazaki, Shintaro et al.
|
Werke
|
|
|
Notes on Togethermssssss |
2025 |
Blättler, Ela
|
HyperWerk
|
|
|
raumfalt Erarbeitung einer prozessgestalterischen Methode |
2025 |
Picker, Laura
|
HyperWerk
|
|
|
Abolitionistische Perspektiven gegen den Gefängnisalltag |
2025 |
Langner, Johanna
|
HyperWerk
|
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Forming Loving Relations To Found Goods |
2025 |
Bork, Ambre
|
HyperWerk
|
|
|
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 |
Meyer, Marianna Helen
|
Diplom HGK
|
|
|
Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 |
Tobler, Laura
|
Diplom HGK
|
|
|
Investigating the Syntactic Aspects of Doodling for Graphic Design |
2019 |
Singh, Abhay Pratap
|
Diplom HGK
|
|
|
Gefährt und Gefährt*innen |
2025 |
Pfenninger, Massimo
|
HyperWerk
|
|
|
Revealing the Medium. On Exposing Systems Through Failures |
2018 |
Nüssli, Michelle
|
Diplom HGK
|
|
myFunerals #1 purification |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
ACT Performancefestival der Schweizer Kunsthochschulen
|
|
|
SOILBASED PRACTICES Auseinandersetzungen mit bodenbezogener Praxis |
2025 |
Essoungou, Timon
|
HyperWerk
|
|
|
Von Blättern und Wörtern |
2025 |
Biedermann, Nenya
|
HyperWerk
|
|
|
ADVA (accessible digital visual agency) EN |
2025 |
Yorke, Quentin
|
HyperWerk
|
|
|
Performance Chronik Basel |
2018 |
Gebhardt Fink, Sabine et al.
|
Archive des Ephemeren
|
|
|
On Becoming; amplified* |
2025 |
Böhler, Sarina
|
HyperWerk
|
|
|
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 |
Schwitzguébel, Aude
|
Diplom HGK
|
|
|
Visual Communication for Gender Inclusive Makeup |
2022 |
Iribe, Sakurako
|
Diplom HGK
|
|
|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 |
Frei, Lena
|
Diplom HGK
|
|
|
Borders*: a visual study of the border as a social, geographic, and economic entity in the era of mass migration. |
2020 |
Savin, Annalisa
|
Diplom HGK
|