| Titel | Jahr | author | Event |
|---|---|---|---|
Trompette marine, ~1715, (Foto ~1900) |
1715 | ||
The Voice and The Machine Website |
2025 | ||
Cycles of Circulation Website |
2025 | ||
Memory Full Website |
2021 | ||
Rose Marie Bricht Zusammen |
2017 |
Sjölin, Sara Ursina
|
|
PPP. Progr Performance Plattform |
2018 | ||
Performance – Fenster (2017 - 2019) |
2018 | ||
Dokumentation der Website "Basler Bibliotheken für Kunst, Gestaltung und Architektur" |
|||
Cultural Spaces and Design – Prospects of Design Education |
|||
Schreiben mit Stimmen Website |
2025 | ||
MitweltenWildcamTv |
|||
Mitwelten Explore |
|||
C33b Magnum nomen domini (4 motets) |
|||
C14a Ave virgo gloriosa caeli iubar |
|||
Sullivans Creek, cemented |
2020-07-03 | ||
Safety Jackets: zipped the other way: manual, democratic art |
2020 |
Weiwei, Ai
|
|
Kunst der Begegnung |
2018 | ||
Incubator Website |
2025 | ||
Concert de Trompette/Hautbois & Viollons, 1724 |
1724 | ||
Webrecording RIMAB-Portal |
2026 | ||
Traité de la musette [Frontispiz], 1672 |
1672 | ||
Dokumentation Kasko Website |
2001 | ||
C41 O domine Iesu Christe / Officium de passione |
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C33a Magnum nomen domini (2 motets) |
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Following the Elephant-Nosed Fish. Reimagining our Sensorium |
2021 | ||
C25 Imperatrix gloriosa + Missa |
|||
Hortense |
2018-04-14 |
Oberson, Antonie; Pochon, Lucile
|
|
C37b Spiritus domini replevit orbem (MotettiLQ) |
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C59 Popule meus quid feci tibi |
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Spinning wait cursor installed on the website of the Swiss Art Awards, 01.08.2020-30.10.2020 |
2020 |
Honauer, Géraldine
|
Swiss Art Awards
|
C56 Natus sapientia |
|||
DIE LÄNGSTE NACHT / THE LONGEST NIGHT |
2019 |
Müller, Irene; Geyer, Karen; Köppl, Jörg; Rust, Dorothea;
|
Siehe Namen unter weitere Informationen
|
C29 O admirabile commercium (with Sanctus) |
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C02 Beata progenies |
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Basler Bibliographie zur Historischen Musikpraxis 1974–2017 Bibliographical database for historical performance practice 1974–2017 |
2019 | ||
Book presentation 2: meet the author Penny Sparke |
Sept 2, 2021 |
Sparke, Penny; Eastment, Mark
|