| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Von Herzen und Uniformen. Kunstpädagogisches Handeln zwischen Inklusionsidealen und Alltagsrealität |
2022 |
Buser, Sulamithe
|
Diplom HGK
|
|
|
Komplexität der kameralosen Fotografie. Ein Vermittlungsprojekt |
2022 |
Gregor, Daniel
|
Diplom HGK
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija et al.
|
ACT Performance Festival
|
|
peng peng! Handbag / live vor Publikum & als Videoarbeit |
Videoarbeit 2006 / live vor Publikum 2007 |
Vogel, Andrea; Vogel, Andrea
|
Revolving Histories
Offene Ateliers Stadt St. Gallen
|
|
|
Interview with Ina Lohr, 1983 |
2016 |
Leussink, Jos
|
OpenAccessPublikationen
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
|
Amaranth as Political Agent |
2025 |
Mensch, Julia et al.
|
Plant_Intelligence
|
|
|
Resign Republic |
2015 |
Kahn, Ali Rahman et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Wo sonst Touristenbusse sind |
2020 |
Rindlisbacher, Sonja et al.
|
Revolving Histories
|
|
|
SSSSION |
2020-04-25 |
Kocharyan, Ani
|
ACT Performance Festival
|
|
|
Mesakghul |
Franke, Rosa Maria
|
Next Generation
|
|
|
|
Supercycle. The Transitional Nowness |
2018 |
Matusz, Marie
|
Diplom HGK
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Hortense |
2018-04-14 |
Oberson, Antonie et al.
|
ACT Performance Festival
|
|
|
Becoming Soundscape – Listening, Perceiving and Acting |
2024-10-15 |
Team peripher_ies
|
Peripher_ies
|
|
|
Electric Me |
1982 |
Hahn, Alexander et al.
|
Revolving Histories
|
|
Chronos |
2019 |
Guggenheim, Gilgi et al.
|
Revolving Histories
Internationaler Museumstag
|
|
Was Sie schon immer über BLAU wissen wollten oder vom Magnetismus des verborgenen Blicks |
1990 |
Rohner, Stefan et al.
|
Revolving Histories
Dia-Audiovisionsfestival
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
A Swiss Study Room Guide |
2020 |
Saemann, Andrea et al.
|
Revolving Histories
|
|
079 577 70 93 |
2020 |
Heller, Benjamin et al.
|
Revolving Histories
THINGS THAT DANCE
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
Night silence |
2020-05-26 |
Gauthier, Philippe-Aubert
|
Peripher_ies
|
|
|
MOPS |
2020-04-22 |
Szuos, Alexandra-Gabriela et al.
|
ACT Performance Festival
|
|
|
PRESENCING |
2018-04-18 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
I create my life, I create the exact amount of my financial freedom. J'ai bien joui. |
2014 |
Friedli, Lionel et al.
|
Revolving Histories
|
|
|
Stockmann 38 |
2020 |
Conrad, Willem
|
Diplom HGK
|
|
|
2011-04-20 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
Lx Lloronx |
2022 |
Méchain, Flor et al.
|
Revolving Histories
Bone Festival
|
|
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Pegna de Scalegl |
2020-05-02 |
Casty, Flurina
|
ACT Performance Festival
|
|
|
Urban Cable Car. Seilbahnkabine für den urbanen Raum |
2022 |
Schnyder, Jan
|
Diplom HGK
|
|
|
Help! David Cameron likes my art |
2018 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Konzept und Veranstaltungsdaten |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
|
Festivaldaten |
2018-05-05 17:22:14 |
ACT Performance Festival
|