| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Dinopark. Spektakel in Vermittlungssituationen - Epistemologisches Potential |
2020 |
Schmutz, Tobias Hanspeter Herrmann
|
Diplom HGK
|
|
It's all about Love |
2009 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
|
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
Revolving Histories
|
|
|
Von Herzen und Uniformen. Kunstpädagogisches Handeln zwischen Inklusionsidealen und Alltagsrealität |
2022 |
Buser, Sulamithe
|
Diplom HGK
|
|
|
Komplexität der kameralosen Fotografie. Ein Vermittlungsprojekt |
2022 |
Gregor, Daniel
|
Diplom HGK
|
|
|
Building a Ganassi Viol |
2014 |
Kraft, Judith
|
OpenAccessPublikationen
|
|
|
Together Elsewhere 05: Agnes Btffn und Sandra De Los Santos |
18.11.2021 |
Btffn, Agnes et al.
|
Together Elsewhere
|
|
Lecture Simultanée |
2012 |
Köhle, Petra et al.
|
Revolving Histories
|
|
|
Wo sonst Touristenbusse sind |
2020 |
Rindlisbacher, Sonja et al.
|
Revolving Histories
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija et al.
|
ACT Performance Festival
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
Was Sie schon immer über BLAU wissen wollten oder vom Magnetismus des verborgenen Blicks |
1990 |
Rohner, Stefan et al.
|
Revolving Histories
Dia-Audiovisionsfestival
|
|
|
Mesakghul |
Franke, Rosa Maria
|
Next Generation
|
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Amaranth as Political Agent |
2025 |
Mensch, Julia et al.
|
Plant_Intelligence
|
|
|
Interview with Ina Lohr, 1983 |
2016 |
Leussink, Jos
|
OpenAccessPublikationen
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
|
Resign Republic |
2015 |
Kahn, Ali Rahman et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Supercycle. The Transitional Nowness |
2018 |
Matusz, Marie
|
Diplom HGK
|
|
|
SSSSION |
2020-04-25 |
Kocharyan, Ani
|
ACT Performance Festival
|
|
|
Hortense |
2018-04-14 |
Oberson, Antonie et al.
|
ACT Performance Festival
|
|
|
Becoming Soundscape – Listening, Perceiving and Acting |
2024-10-15 |
Team peripher_ies
|
Peripher_ies
|
|
|
Electric Me |
1982 |
Hahn, Alexander et al.
|
Revolving Histories
|
|
Chronos |
2019 |
Guggenheim, Gilgi et al.
|
Revolving Histories
Internationaler Museumstag
|
|
I create my life, I create the exact amount of my financial freedom. J'ai bien joui. |
2014 |
Friedli, Lionel et al.
|
Revolving Histories
|
|
079 577 70 93 |
2020 |
Heller, Benjamin et al.
|
Revolving Histories
THINGS THAT DANCE
|
|
Night silence |
2020-05-26 |
Gauthier, Philippe-Aubert
|
Peripher_ies
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
|
A Swiss Study Room Guide |
2020 |
Saemann, Andrea et al.
|
Revolving Histories
|
|
|
MOPS |
2020-04-22 |
Szuos, Alexandra-Gabriela et al.
|
ACT Performance Festival
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
PRESENCING |
2018-04-18 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
Stockmann 38 |
2020 |
Conrad, Willem
|
Diplom HGK
|
|
|
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Konzept und Veranstaltungsdaten |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
|
Festivaldaten |
2018-05-05 17:22:14 |
ACT Performance Festival
|