| Titel | Jahr | author | Event |
|---|---|---|---|
Musizierende Figuren am Sebaldusgrab, Nürnberg |
1515-1519 | ||
Bauplan einer Viola da gamba nach Ganassi |
|||
Narr und Mutter mit Kind, ~1523 |
1523-1525 | ||
Methodologie |
|||
Vignette und Abbildung aus der "Lettione seconda", 1543 |
1543 | ||
Sources primaires |
|||
Groß Geigen, Vyolen, Rybeben - Large-size String Instruments in North-Alpine Sources around 1500 |
2015 | ||
Lira da braccio, 1577 |
1577 | ||
L'expression |
|||
Instruments à cordes frottées anciens vers 1500, Deuxième partie (au nord des Alpes) |
|||
Concerto, 1537 |
1537 | ||
Modell für die Saiteneinteilung der Viola da gamba, 1543 |
1543 | ||
Allegorie der Musik |
1530 | ||
Der Gambenspieler |
1519-1525 | ||
La technique de la main droite |
|||
La technique de main gauche |
|||
Vihuela da mano [Chambure, E.0784], ~1550 |
1525-1575 | ||
Freiheitsentziehungssache |
2020, 2021 |
Barth, Claudia
|
6x2 Duo Festival / Wildwuchsfestival
|
Ina Lohr - Dutch Christmas recording |
|||
Basel Chamber Choir - Early Recordings |
|||
Leonhard Lechner - Historia der Passion 2 |
|||
Igor Stravinsky and his Symphonie des Psaumes in Basel |
|||
Encounters with Nadia Boulanger and Igor Stravinsky |
|||
Igor Stravinsky and A Sermon, A Narrative, and a Prayer in Basel |
|||
Interview with Ina Lohr, 1983 |
2016 | ||
Encounters with Rudolf Serkin and Mstislav Rostropovich |
|||
Leonhard Lechner - Historia der Passion 1 |
|||
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 | ||
Encounters with Ernst Krenek |
|||
Encounters with Frank Martin and Albert Moeschinger |
|||
Encounters with Bela Bartok |
|||
Encounters with Benjamin Britten and Sven-Erik Bäck |
|||
Encounters with Arthur Honegger |
|||
The Wish-Key |
2021 |
De Pinto, Pier Giorgio
|
Not in a Festival
|
Flyer ACT Auftakt |
2017-04-28 | ||
Dancing Requested! |
2017-04-28 |