| Titel | Jahr | author | Event |
|---|---|---|---|
To See in Reverse: Decoding and Decolonizing Design Language and Thinking |
2021 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Reviving the memory of Modernist type designer Joan Trochut |
2021 | ||
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 | ||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 | ||
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 | ||
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 | ||
Imagining Other Futures: Historical Interrogation and Radical Publishing |
2021 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
Online Talk Session / Mini Lecture "Soundscape Japan, Sounds For Control And Order" |
2020-12-27 |
Bühler, Jörg
|
|
Points of Inversion: Upending Structural Narratives in Design History |
2021 | ||
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 | ||
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 | ||
Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s |
2021 | ||
Re-engaging with Design History through the Practical Turn |
2021 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 | ||
AFTERTASTE: PERFORMING THE MOLECULAR ORCHESTRA |
2021 |
Scott, Jill
|
Air_Waste_Health_Water_Energy_Soil
|
LVX |
2012 | ||
Interview von Margarit von Büren mit Sus Zwick, 2.11.2010 |
02.11.2010 | ||
Timbales, 1696 |
1696 | ||
Klaviersolo für Video |
1985 |
Megert, Franziska
|
|
Striptease |
2019 |
Peñaloza, Maricruz
|
PERNEO-International Encounter of Performance Art
|
Dr. Leontine Schelling |
2012, 2013, 2016, 2018 |
Natsch, Yolanda Esthersther Esther; König, Lysann
|
Regionale 13, Ausstellung "Kapitel 3: Der Raum" (2013); Ausstellung "BeiSpiel" (2013); Ausstellung "Every Contact Leaves a Trace" (2016); Ausstellung "Das Kapital ist weg. Wir sind das Kapital" (2018)
|
Tambour, 1696 |
1671 - 1696 | ||
06 | Richie Moalosi | Ubuntu co-creation process- Indigenising the design process |
2017-06-21 | ||
Performance of everyday Flow |
2009 |
Streiff, Barbara
|
|
of the world |
2026 | ||
Pressedossier Yuri Vassiliev «Last Next Winter» |
2017 | ||
"Arthur" Excerpts from the 5 Channel Installation |
1988 |
Hahn, Alexander
|
|
Dictionnaire de la musique en France aux XVIIe et XVIIIe siècles |
1992 | ||
Les musiciens du roi de France (1661-1733) |
1982 |