| Titel | Jahr | author | Event |
|---|---|---|---|
Rewriting FAIRness |
2024 | ||
Thailand 2026 - 01 |
2026 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
Ecologies of dissemination |
2023-10 | ||
Critical FAIRness |
|||
Feministische Stimmen zur Wikipedia: Who writes his_story? |
2026 | ||
<h1>Haus der Kulturen der Welt</h1> |
2016-11-07T12:25:26+01:00 | ||
Sirene: Goldrausch 2020 |
2020 | ||
X properties (english edition) |
2022 | ||
Never mind the nineties: eine Medienarchäologie des Kunststandorts Berlin |
2021 | ||
Treasures from the forest: tales of brazilian folklore |
2018 | ||
Man schenkt keinen Hund - (No): Bildbeschreibungen und Interviews |
2019 | ||
Jana und ihr Erlebnis mitten in der Nacht |
2018 | ||
Gemeingut Stadt |
2021 | ||
Die Mauerpark Affäre |
2018 | ||
I Speak Radio |
2024 | ||
Eine Flexible Frau: Drehbuch und Materialien |
2022 | ||
Cold lens as a filter |
2023 | ||
Megazin 6: Direktübertragung |
2023 | ||
Megazin 5: Soziale Eleganz |
2023 | ||
Performance Artists Go Flat |
2023 | ||
Gravity ein Fotobuch von Nara Pfister |
2023 | ||
Hydra: [Goldrausch 2019] |
2019 | ||
I only work with lost and found: [Goldrausch 2024] |
2024 | ||
Mutual matters: Goldrausch 2021 |
2021 | ||
Revisit Reuse |
2024 | ||
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 | ||
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 | ||
Noun to Verb: micro-politics of publishing |
2019 | ||
Teaching the radical - a syllabus |
2024 | ||
Noun to Verb: an investigation into the micro-politics of publishing through artistic practice (PhD thesis) |
2020 | ||
Publishing strategies: From “independent” to “intersectional” |
2023 | ||
Library Making as Practice |
2025 | ||
Thailand 2026 - 02 |
2026 | ||
Zur Verfasssung: Recherchen, Dokumente 1989-2017 |
2018 | ||
X Properties |
2022 |