| Titel | Jahr | author | Event |
|---|---|---|---|
Who is in the Classroom? |
2022 | ||
Help! David Cameron likes my art |
2018 | ||
e-flux Index #3 |
e-flux
|
||
On the edge of: Goldrausch 2023 |
2023 | ||
Tender hooks: Goldrausch 2022 |
2022 | ||
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 | ||
Teaching to Transgress Toolbox |
|||
Committing to decolonial feminist practices of reuse |
2024 | ||
Teaching the Radical Catalogue – a Syllabus |
2024 | ||
Towards a decolonial feminist politics of reuse |
2024 | ||
Sharing Knowledge in the Arts |
|||
Teaching the Radical Catalogue – a Syllabus |
|||
Thailand 2026 - 03 |
2026 | ||
Thailand 2026 - 04 |
2026 | ||
Confronting authorship, constructing practices – how copyright destroys collective practice |
2019 | ||
Library Making as Practice |
2025 | ||
Library, A Network of Relations |
|||
Practices of transformative publishing |
2024-11 | ||
Must or Not - Fokus Performance & Photography |
2024 | ||
More verb, less noun – Publishing as collective practice |
2019 | ||
Library Underground – A reading list for a coming community |
2016 | ||
Ecologies of dissemination |
2025 | ||
Noun to Verb: Publication as Process |
|||
Inspiring the light in the darkness |
2018 | ||
Vaal: my father has a cement mixing truck |
2018 | ||
Economic words |
2021 | ||
My name is language |
2020 | ||
Between you and me |
2019 | ||
Birds |
2019 | ||
Wiedersehen in Tunix!: ein Handbuch zur Berliner Projektekultur |
2018 | ||
Die Legende vom sozialen Wohnungsbau |
2021 | ||
All events | les Abattoirs |
2016-11-09 16:25:26 | ||
Dit and dah |
2019 | ||
The Power to Name and Frame |
2025 | ||
Noun to verb: Propositions for transformative intersectional publishing |
2024 | ||
First times do not exist. Translating and citing as relational practices of (re)use |
2023-10 |