| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Aushang der Basler Zeugenberichte |
Grau, Pascale et al.
|
ARCHIVES & BEYOND
|
|
|
|
Ablauf Workshop I |
2024 |
Grau, Pascale et al.
|
ARCHIVES & BEYOND
|
|
|
Reflexion 6x2 Performance Duos |
08.11.2020 |
Maag, Irene et al.
|
6_2_Performance-Duos
|
|
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 |
Müller, Noah
|
HyperWerk
|
|
|
NOMATARK |
2009 |
Müller, Fabian
|
HyperWerk
|
|
|
Space Record, eine Überschau |
2013 |
Müller, Luca
|
HyperWerk
|
|
|
Basilisken, die den Rhein umarmen Wie Wassermythologien unsere kollektive Erinnerungskultur stärken. |
2026-05-13 |
Müller, Hannah et al.
|
In3
|
|
|
DER LÄNGSTE TAG. 16 Stunden nonstop Performances unter freiem Himmel |
2018 |
Rust, Dorothea; Müller, Irene
|
Archive des Ephemeren
|
|
|
Erwünschter und unerwünschter, peripher blickender Wespenfeedbackservice (offiziell) |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
|
Emergency Feedback Service |
2013-04-13 |
Orlowska, Ernestyna et al.
|
ACT Performance Festival
|
|
|
MODERATION |
2022 |
Müller, Anina
|
ACT Performance Festival
|
|
|
Rabenmutter III |
2017-04-29 |
Geisseler, Irene
|
ACT Performance Festival
|
|
|
2017-04-22 |
Geisseler, Irene et al.
|
ACT Performance Festival
|
|
|
|
Rabenmutter III |
2016-04-23 |
Geisseler, Irene
|
ACT Performance Festival
|
|
|
Rabenmutter I |
2017-04-08 |
Geisseler, Irene et al.
|
ACT Performance Festival
|
|
|
das schwarze Schaf |
2015-05-12 |
Geisseler, Irene
|
ACT Performance Festival
|
|
|
Rabenmutter II |
2017-04-11 |
Geisseler, Irene
|
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
|
Videodokumentation |
2013-06-07 |
Patiño, Katherine et al.
|
ACT Performance Festival
|
|
|
Rabenmutter II |
2016-05-31 |
Geisseler, Irene
|
ACT Performance Festival
|
|
|
Hoffnung worauf |
2017-04-29 |
Flückiger, Klarissa et al.
|
ACT Performance Festival
|
|
|
Es ist zu Ende |
2016 |
Minder, Maya et al.
|
Revolving Histories
Plan Q
|
|
10 x 10 – a performative conversation |
2017 |
Hagmann, Sabine et al.
|
Revolving Histories
|
|
LIVE LOAD // DEAD LOAD |
2021 |
Barone, Antonella [baronebreu] et al.
|
Revolving Histories
LIVE LOAD // DEAD LOAD
|
|
|
Gramatik der Räume |
2021 |
Schmalz, René et al.
|
Revolving Histories
|
|
|
Gehdölass-Degölass |
2010 |
Pfister-Köfler, Hansjörg [Mirzlekid] et al.
|
Revolving Histories
|
|
pelzcafe |
1992 |
Schawalder, Rudolf et al.
|
Revolving Histories
tribute to...
|
|
Möbelstück |
2006 |
[Kollabor] et al.
|
Revolving Histories
<Temps Elastique>
|
|
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi et al.
|
Revolving Histories
LEFTOVER
|
|
|
Mind the Sound |
2019 |
Weismann, Steffi et al.
|
Revolving Histories
LEFTOVER
|
|
12 Stunden Gehen |
1997 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
Nothing to declare |
2008 |
Messmer, Dorothee et al.
|
Revolving Histories
Triennale Oberschwaben (um den Bodensee herum)
|
|
|
Guinea-Pig |
1995 |
Hollenstein, Marcel [HALLE K] et al.
|
Revolving Histories
10 Jahre Kunsthalle St. Gallen
|
|
|
Kunst ist- 24 Stunden Performance |
1998 |
Zollinger, Thomas et al.
|
Revolving Histories
Weihnachtsausstellung
|
|
|
Hochsee |
2013 |
Hausheer, Angela [Kollabor] et al.
|
Revolving Histories
perform now! # 2
|
|
LapStrap |
2011, 2012, 2018 |
Weismann, Steffi et al.
|
Revolving Histories
a) archiv performativ Basel b) Visarte Zürich c) Performance Reihe Neu-Oerlikon
|