| Titel | Jahr | author | Event |
|---|---|---|---|
Sirene: Goldrausch 2020 |
2020 | ||
Ritratti Metropolitani |
2010-2014 |
Fieni, Matteo
|
|
Grenzgang. Vom Dreispitz in den trinationalen Raum |
2014 | ||
Zeitempfinden in Performance-Zusammenhängen Performance Text |
2011-10-07 | ||
Hausnummer 10 |
2009 | ||
magnoliaQT |
2005 | ||
here:after |
2004 | ||
The Question Of Responsibility - Designer's Approach On Sustainable Guitar Making |
|||
Bamboo it yourself |
2013 | ||
nodes |
2004 | ||
Freie Projektschule |
2010 | ||
KnowSto®y |
2004 | ||
KultEva |
2005 | ||
wecook |
2010 | ||
Like Father Like Son |
2015 | ||
|w|here |
2015 | ||
LIK LAK |
2002 | ||
Schlussbericht 2017 |
2017 | ||
coARTex |
2011 |
Kulka, Irena; Trochsler, Fritz
|
coARTex
|
unwrapped |
2006 | ||
Über die Eigenfrequenz von Luftschlössern |
2013 | ||
Reizvoll |
2004 | ||
CADArt |
2008 | ||
Ultra Umami |
2015 | ||
The good, the bad and the urban |
2014 | ||
Romeo und Julia in meinem Block |
2013 | ||
It’s always night, or we wouldn’t need light. |
2010 | ||
ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS |
2022 | ||
BOYS DON'T CRY |
2019 | ||
ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS |
2022 | ||
Ridebook |
2008 | ||
(IN)VISIBLE BORDERS |
2024 | ||
r e a d a b l e |
2005 | ||
AnkerPunkt |
2012 | ||
NOMATARK |
2009 | ||
weCreate! |
2011 |