| Titel | Jahr | author | Event |
|---|---|---|---|
Digitale Transformation umsetzen |
|||
Digital Fashion |
|||
Counter Space |
|||
EVERY BODY beyond the norm |
|||
Digitale Zwillinge für die Strukturoptimierung patientenspezifischer Implantate |
|||
FHNW ImFreien: Eine regenerative Zukunft gestalten |
|||
Option B – Wege in die berufliche Praxis |
|||
DER LÄNGSTE TAG. 16 Stunden nonstop Performances unter freiem Himmel |
2018 | ||
ACT Performance Festival |
2018 | ||
Performance Reihe Neu-Oerlikon |
2018 | ||
Performance Chronik Basel |
2018 | ||
The Gathering |
2018 | ||
PANCH Lupe Luzern: Performance Archäologie |
2018 | ||
ACT Luzern |
2018 | ||
.perf / association Association What About Performance Art ? |
2018 | ||
Points d'impact (Piano Nobile) |
2018 | ||
UNWRAP THE PRESENT |
2018 | ||
International Performance Art Giswil |
2018 | ||
PPP. Progr Performance Plattform |
2018 | ||
bildwechsel Hamburg / Basel |
2018 | ||
Performance – Fenster (2017 - 2019) |
2018 | ||
migma Performance |
2018 | ||
Schauwerk Kantonsbibliothek Appenzell Ausserrhoden |
2018 | ||
Kaskadenkondensator |
2018 | ||
ApresPerf |
2018 | ||
die digitale See |
2018 | ||
performanceABEND |
2018 | ||
ACT Bern |
2018 | ||
performanceABEND |
2018 | ||
Perform Perform |
2018 | ||
Kunst der Begegnung |
2018 | ||
Start-Ende, 2x |
1992 |
Schaffner, Adrian; Annette
|
|
Animations Film Unterricht |
1978 |
Pulfer, René
|
|
Handgesten_Silhouettenanimation |
1974 | ||
GP |
Müller, Beat
|
||
ATEM |