| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
IMAGES BEYOND LOGIC. PHENOMENOLOGY OF THE PHOTOGRAPH |
2021 |
von Ah, Patricia
|
Diplom HGK
|
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
Doce en Diciembre
|
|
Ich bin hier. Und du? |
2024 |
Enzinga, Anouchka
|
HyperWerk
|
|
|
Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process |
2020 |
Brusch, Alain
|
Diplom HGK
|
|
|
Unsere Festung |
Hanimann, Nicole
|
Erinnerungsraum
|
|
|
Spinoza is(s)t.. |
2007 |
Jaeggi, Urs [Art Clay] et al.
|
Revolving Histories
Digital Art Weeks 2007
|
|
|
Sharing as an act to feel connected |
2024 |
Birrer, Léa Aimée
|
HyperWerk
|
|
|
Zeitlos |
Wüthrich, Melanie Pamela
|
Erinnerungsraum
|
|
|
|
Visual Authorship under the Aspects of Market and Advertising Psychology |
2018 |
Rueff, Laurent Steven
|
Diplom HGK
|
|
|
Something Between My Mouth and My Ear |
2018 |
Müller, Christine
|
Diplom HGK
|
|
|
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 |
Comotto, Belén
|
HyperWerk
|
|
|
Russian Red White |
2009 |
Vasiliev (Vassiliev), Yury (Yuri)
|
Videocity_memoriav
|
|
|
REUSE REDUCE REDESIGN HOW TO UNPERFORM PLASTIC RECYCLING |
2024 |
Schryve, Adrien
|
HyperWerk
|
|
|
The Library. Alternative Ways of Organizing Knowledge |
2017 |
Elham, Namvar
|
Diplom HGK
|
|
|
LASS UNS ZUSAMMEN ARBEITEN |
2024 |
Bertin, Gabi
|
HyperWerk
|
|
|
Drawing through Words – Reading through Images. Alternative Visualizations of Architectural Spaces |
2017 |
Balzan, Silvia
|
Diplom HGK
|
|
|
RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT |
2018 |
Lifshitz, Elinor
|
Diplom HGK
|
|
|
The Virtual Materiality of a Digital Image. Developing the contemporary editing techniques of digital photography by using the virtual materiality of an image |
2019 |
Jang, Hyunjun
|
Diplom HGK
|
|
|
Defining Principles of Style Through Visual Expressions. Developing an Alternative Style from the Aesthetics of Chirashi |
2018 |
Jeong, Mijeong
|
Diplom HGK
|
|
|
Interaktion |
Ragossnig, Mirjam
|
Erinnerungsraum
|
|
|
|
Abgekapselt |
Spühler, Mara
|
Erinnerungsraum
|
|
|
|
Kein Titel |
Linder, Carlos
|
Erinnerungsraum
|
|
|
|
Kindheitsraum |
Jankowicz, Anneliese
|
Erinnerungsraum
|
|
|
|
Im Dach |
Rapp, Viviane
|
Erinnerungsraum
|
|
|
|
Dunst der Zeit |
Näf, Zoe
|
Erinnerungsraum
|
|
|
|
Zurückkehren ins Hexenhäuschen |
Sommer, Anne
|
Erinnerungsraum
|
|
|
|
Vermalte Welten |
Bührer, Andrin
|
Erinnerungsraum
|
|
|
|
Astwerk |
Caderas, Anna
|
Erinnerungsraum
|
|
|
|
Erinnerungsraum |
Neuschwander, Céline Sonja
|
Erinnerungsraum
|
|
|
|
Kein Titel |
Albert, Kim
|
Erinnerungsraum
|
|
|
|
Der Walfisch-Papa |
Gugelmann, Yves
|
Erinnerungsraum
|
|
|
|
Licht gräbt |
Weber, Maya
|
Erinnerungsraum
|
|
|
|
Bruchstück der Erinnerung |
El Omami, Astabrag
|
Erinnerungsraum
|
|
|
|
Aufwachen |
Stössel, Céline
|
Erinnerungsraum
|
|
|
|
Bewegungsspiel |
Nötzli, Laura
|
Erinnerungsraum
|
|
|
|
Umhüllt |
Knechtli, Alisa Debora
|
Erinnerungsraum
|