| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
WachsKonstrukt |
Barth, Umaj
|
Erinnerungsraum
|
|
|
From Mycelium to Solidarity: Decentralizing Knowledge and Embracing Queer Ecologies |
2024 |
Ramsay, Li Electra
|
HyperWerk
|
|
|
(IN)VISIBLE BORDERS |
2024 |
Riek, Antonie Sophie Gabrielle
|
HyperWerk
|
|
|
Die Rolle der künstlichen Intelligenz in kreativen Prozessen |
2024 |
Herbst, Benjamin
|
HyperWerk
|
|
|
EIN NEST ZUM ERLEBEN |
Hernandez, Enrique
|
Erinnerungsraum
|
|
|
|
Emotional Type. Emotional expression in text message |
2017 |
Promphan, Suksumek
|
Diplom HGK
|
|
|
Following the Elephant-Nosed Fish. Reimagining our Sensorium |
2021 |
Miyazaki, Shintaro et al.
|
Werke
|
|
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi et al.
|
Revolving Histories
LEFTOVER
|
|
|
Merging Spaces |
2018 |
Surenthiran, Suresh
|
Diplom HGK
|
|
|
PARTOUT – Platform for International Performance Art, Arsenic Lausanne |
2020 |
Wildberger, Martina-Sofie et al.
|
Revolving Histories
|
|
|
2002 |
Weekend Art et al.
|
Performance Chronik Basel
|
|
|
Shame on you |
2019 |
Koller, Sara et al.
|
Revolving Histories
Salon
|
|
|
Stube |
Trefzer, Matthias
|
Erinnerungsraum
|
|
|
|
Glück im Unglück |
Bianchi, Nils
|
Erinnerungsraum
|
|
|
|
IMAGES BEYOND LOGIC. PHENOMENOLOGY OF THE PHOTOGRAPH |
2021 |
von Ah, Patricia
|
Diplom HGK
|
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
Doce en Diciembre
|
|
|
Ich bin hier. Und du? |
2024 |
Enzinga, Anouchka
|
HyperWerk
|
|
|
Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process |
2020 |
Brusch, Alain
|
Diplom HGK
|
|
|
Unsere Festung |
Hanimann, Nicole
|
Erinnerungsraum
|
|
|
Spinoza is(s)t.. |
2007 |
Jaeggi, Urs [Art Clay] et al.
|
Revolving Histories
Digital Art Weeks 2007
|
|
|
Sharing as an act to feel connected |
2024 |
Birrer, Léa Aimée
|
HyperWerk
|
|
|
Zeitlos |
Wüthrich, Melanie Pamela
|
Erinnerungsraum
|
|
|
|
Visual Authorship under the Aspects of Market and Advertising Psychology |
2018 |
Rueff, Laurent Steven
|
Diplom HGK
|
|
|
Something Between My Mouth and My Ear |
2018 |
Müller, Christine
|
Diplom HGK
|
|
|
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 |
Comotto, Belén
|
HyperWerk
|
|
|
Russian Red White |
2009 |
Vasiliev (Vassiliev), Yury (Yuri)
|
Videocity_memoriav
|
|
|
REUSE REDUCE REDESIGN HOW TO UNPERFORM PLASTIC RECYCLING |
2024 |
Schryve, Adrien
|
HyperWerk
|
|
|
The Library. Alternative Ways of Organizing Knowledge |
2017 |
Elham, Namvar
|
Diplom HGK
|
|
|
LASS UNS ZUSAMMEN ARBEITEN |
2024 |
Bertin, Gabi
|
HyperWerk
|
|
|
Drawing through Words – Reading through Images. Alternative Visualizations of Architectural Spaces |
2017 |
Balzan, Silvia
|
Diplom HGK
|
|
|
RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT |
2018 |
Lifshitz, Elinor
|
Diplom HGK
|
|
|
The Virtual Materiality of a Digital Image. Developing the contemporary editing techniques of digital photography by using the virtual materiality of an image |
2019 |
Jang, Hyunjun
|
Diplom HGK
|
|
|
Defining Principles of Style Through Visual Expressions. Developing an Alternative Style from the Aesthetics of Chirashi |
2018 |
Jeong, Mijeong
|
Diplom HGK
|
|
|
Interaktion |
Ragossnig, Mirjam
|
Erinnerungsraum
|
|
|
|
Abgekapselt |
Spühler, Mara
|
Erinnerungsraum
|
|
|
|
Kein Titel |
Linder, Carlos
|
Erinnerungsraum
|