| Titel | Jahr | author | Event |
|---|---|---|---|
Der Fremde, Verfremdete, Entfremdete Körper |
2014 |
Spoolder, Mirjam
|
Regionale 2014
|
Gespannte Gefährten |
2002 |
Clay, Arthur
|
Gare de Nord
|
Porte Rouge zeigt Karabuki |
2018 |
Iselin, Joa [Porte Rouge]; Ranzenhofer, Christoph [Porte Rouge]
|
|
Fingerprint / VideoPerformance |
2022 |
Frei, Lilian
|
|
sing think |
2009-2012 |
Schürch, Dorothea
|
|
The Convertible Entrance Ticket |
2006 |
Jacomella Bonola, Patricia
|
Il Museo Insostenibile
|
SPEAK UP |
2016 |
Wildberger, Martina-Sofie
|
|
The Field Selfinterview in Umbigo Magazine. |
2021, 2022 |
[The Field]
|
|
Post-Show Talk |
2019 |
[The Field]
|
|
Question Kiosk |
2021 |
[The Field]
|
|
battlefield#151 / 4 propositions - 1 cleaning |
2021 |
Leuba, Jérôme
|
6th Ural Biennal
|
Das Sein der Bilder I - III |
Oktober 1998 / Januar 1999 / August 1999 |
Hensler, Markus
|
Atelierfest Vollrad Kutscher / Gruppenausstellung Sichtweisen Kunsthalle Palazzo Liestal / AnnArt Szent Anna-to
|
STRIVING 4 CONNECTION & SEARCHING FOR SOFT SPACES |
2024 | ||
Contribution Nr. 12 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
collectif123; Bernauer, Yadin; Bertuchoz, Emma; Gjorgjevski, Giuliana Maria
|
PANCH Soziale Eleganz ; Come and Show
|
WHILE STOCKS LAST | HQ |
2025 |
Chedraoui, Marleine
|
Basel Social Club Bank 2025
|
Helene & Maria |
2022 |
Performerin Judith Huber
|
Performanceszene Zentralschweiz
|
Rhythm is a dancer |
2024 |
Christina Werner
|
Bauhausfest Dessau (2023) + Ausstellungseröffnung (2024)
|