| Titel | Jahr | author | Event |
|---|---|---|---|
Road Trip - Anja Rüegsegger |
2013-04-13 | ||
Projektbeschrieb |
2016 | ||
175 - Sabrina Labis |
2013-04-13 | ||
ACT Einführungssatz |
2017-04-19 | ||
Zum Frühstück älter werden - Sabrina Labis |
2013-04-13 | ||
CC_Cycles of Circulation EVENTS |
2025 | ||
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 | ||
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
Aroma Colorado |
2025-08 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Colorado |
2025 |
Mensch, Julia
|
|
Amaranth as Political Agent |
2025 | ||
Diary of a Nonrealization |
2023 | ||
It's all about Love |
2009 |
De Pinto, Pier Giorgio
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
List of Ina Lohr’s Published Compositions (incomplete) |
2016 | ||
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 | ||
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 | ||
Ina Lohr - Dutch Christmas recording |
|||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
A Swiss Study Room Guide |
2020 |
Saemann, Andrea; Amsler, Madeleine; Paterson, Mary; Keidan, Lois
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 | ||
Stories for industrial design: A close reading of a corded portable electric drill |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
Ganassi – Arbeitstagebuch |
2014 | ||
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo
|
Long Lake Festival, Lugano
|
Bau einer Gambe nach Ganassi |
2014 | ||
CC_Cycles of Circulation SUBPROJECTS |
2025 | ||
Concept Art. Weltenbauen im Raumbild |
2018 | ||
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |