| Titel | Jahr | author | Event |
|---|---|---|---|
Vignette und Abbildung aus der "Lettione seconda", 1543 |
1543 | ||
Sources primaires |
|||
Salo, Caspar da [?], Viola da gamba (Bass), 1555 [?] |
1575-1625 | ||
Rybeben am Hof Maximilians I |
2015 | ||
Groß Geigen, Vyolen, Rybeben - Large-size String Instruments in North-Alpine Sources around 1500 |
2015 | ||
Lira da braccio, 1577 |
1577 | ||
L'expression |
|||
Instruments à cordes frottées anciens vers 1500, Deuxième partie (au nord des Alpes) |
|||
Concerto, 1537 |
1537 | ||
Modell für die Saiteneinteilung der Viola da gamba, 1543 |
1543 | ||
Allegorie der Musik |
1530 | ||
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi |
|||
Transformationen instrumentaler Klanglichkeit am Beispiel der frühen italienischen Viola da gamba - Symposium 2013 |
2013 | ||
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
|||
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 | ||
Der Gambenspieler |
1519-1525 | ||
La technique de la main droite |
|||
La technique de main gauche |
|||
Viola da gamba, 1604 |
1604 | ||
Vihuela da mano [Chambure, E.0784], ~1550 |
1525-1575 | ||
Ina Lohr - Dutch Christmas recording |
|||
Basel Chamber Choir - Early Recordings |
|||
Leonhard Lechner - Historia der Passion 2 |
|||
Igor Stravinsky and his Symphonie des Psaumes in Basel |
|||
The Musical Aesthetic of the Singbewegung |
2016 | ||
Encounters with Nadia Boulanger and Igor Stravinsky |
|||
Igor Stravinsky and A Sermon, A Narrative, and a Prayer in Basel |
|||
Interview with Ina Lohr, 1983 |
2016 | ||
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 | ||
Hubert Cuypers: A Self-Assertive Musician |
2016 | ||
Encounters with Rudolf Serkin and Mstislav Rostropovich |
|||
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 | ||
Leonhard Lechner - Historia der Passion 1 |
|||
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 | ||
Encounters with Ernst Krenek |
|||
Encounters with Frank Martin and Albert Moeschinger |