| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Raum Schaffen |
2025 |
Brünjes, Paula
|
Erinnerungsraum
|
|
Verstaubter Kindheitstraum |
2025 |
Imbescheid, Wilma Vianne
|
Erinnerungsraum
|
|
Geborgen in der Dunkelheit |
2025 |
Weber, Noemi Chantal
|
Erinnerungsraum
|
|
Erinnerungsraum |
2025 |
Mundschin, Soley Josephine
|
Erinnerungsraum
|
|
Die Tiefgarage |
2025 |
Pozar, Noah Nicolas
|
Erinnerungsraum
|
|
|
Die Bedeutung des Buches. Eine Untersuchung der Generation Y zu ihrem Umgang mit Büchern |
2020 |
Vogt, Leonie
|
Diplom HGK
|
|
On Becoming; amplified* |
2025 |
Böhler, Sarina
|
HyperWerk
|
|
Familia de Amarantos |
2023 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
AURALROOTS |
2014 |
Scott, Jill et al.
|
Revolving Histories
Sensoria
|
|
|
Working in resonance with the past |
2021 |
Grandchamp, Lara
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Playful Energy: Harvesting Energy by Public Interaction |
2016 |
Park, Yunhyun et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 |
Folie, Sabine
|
Archive des Ephemeren
|
|
Bells, Siren, Howling Dogs |
2020-04-17 |
Ioakeimidis, Vasilis
|
Peripher_ies
|
|
|
HOMECOMING. Multiplicity, Mobility and Composition: Embracing the attributes of Ubuntu on a journey of rediscovery through cultural heritage and cultural comprehension in design |
2019 |
Blaser, Chioma Adeyemi
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Imagining Other Futures: Historical Interrogation and Radical Publishing |
2021 |
Toppins, Aggie
|
Memory Full
|
|
|
Die täglichen Übungen des Kollektivs DARTS (disappearing artists) |
02.1.2018 |
Grimm, Claudia
|
Archive des Ephemeren
|
|
|
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 |
Short, Carolina et al.
|
Memory Full
|
|
|
Transformation Process. China - Europe - China. Trend China. |
2015 |
Hu, Xinhui et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
24 Pigments |
2023 |
Mensch, Julia; Gradín, Lucila
|
Plant_Intelligence
|
|
|
Datenbeschreibung |
Peripher_ies
|
||
|
|
Waldspüren. Mit Kunst in ein anderes Sein kommen. |
2024 |
Volkart, Yvonne et al.
|
Plant_Intelligence
|
|
|
Sounddokument Excel |
Peripher_ies
|
||
|
|
A missing narrative of Ghana’s graphic design history |
2021 |
Okyere, Mark et al.
|
Memory Full
|
|
|
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |
Formia, Elena et al.
|
Memory Full
|
|
|
Interactive Interfaces - Prototyping Editorial Layouts for Mobile Devices |
2012 |
Callahan, Christine
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Kenteverse. Studies on the Visualization of Rhythm and Creation of Kente Designs |
2021 |
Opoku, Kwaku
|
Diplom HGK
|
|
Recorder in oven |
2020-04-17 |
Ioakeimidis, Vasilis
|
Peripher_ies
|
|
|
TO STYLE IS TO RESIST |
2025 |
Meyer, Selva
|
HyperWerk
|
|
|
Kiwicha - Song video |
2025 |
Mensch, Julia
|
Plant_Intelligence
|
|
myFunerals #1-3 |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
Masterclass 2013
|
|
|
zeitlautraum - tempsonlieu |
2006 |
Fiedler, Heike et al.
|
Revolving Histories
|
|
|
Have I ever spoken properly? |
2021 |
Narisawa, Kihako et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Digital Fingerpaint |
2013/2017 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
XVII Penne Biennale, Penne, Pescara, Italy and Sensorium, group show at Galleria Civica d'arte moderna e contemporanea, Floridia, Siracusa, Italy
|
|
|
Motet Cycles Bibliography |
2018 |
Pavanello, Agnese et al.
|
Werke
|
|
|
Motet Cycles Bibliography |
2018 |
Pavanello, Agnese et al.
|
HSM-Datenbanken
|
|
|
LEGS Zürich Performance-Stafette |
2016 |
Rust, Dorothea et al.
|
Revolving Histories
Siehe Namen unter weitere Informationen
|