| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
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Tankstell*Inne |
Lorenz, Liv
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Next Generation
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Dependent Dualities |
Barras, Antoine
|
Next Generation
|
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|
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Flowing Upstream |
Wöllenstein, Martin
|
Next Generation
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Doing Events |
Tschumi, Lou
|
Next Generation
|
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Transformative Gerechtigkeit Üben |
Baragiola, Mio et al.
|
Next Generation
|
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|
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Friendship Makes Worlds |
Jenni, Simon
|
Next Generation
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The Yellow Chair |
Maczka, Barbara
|
Next Generation
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Now Here |
Rosas Rodriguez, Juliana
|
Next Generation
|
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Finance Infrastructures and Monetary Systems in Troubling Times |
Mattli, Georg
|
Next Generation
|
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|
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Widerständige Stimmarbeit |
Claessen, Catherine et al.
|
Next Generation
|
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|
Widerständige Stimmarbeit |
Claessen, Catherine et al.
|
Next Generation
|
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WIDERSTÄNDIGE WECHSELWIRKENDE ARTEFAKTE |
Arndt, Jo Jana
|
Next Generation
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Mit welchen sozialen Praktiken lassen sich Orte des Wandels gestalten? |
möhrle, jules; , Hektor
|
Next Generation
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|
of the world |
Ohnewein, Momo
|
Next Generation
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Widerständige Stimmarbeit |
Claessen, Catherine et al.
|
Next Generation
|
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|
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Weaving–Unweaving the Observer |
Dörflinger, Ananda
|
Next Generation
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Is There Anything Solid About Solidarity? |
Weiss, Ann Luca
|
Next Generation
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Material Girl |
Susuri, Liljana
|
Next Generation
|
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Joy Crafting |
Pöthke, Cat
|
Next Generation
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Unlearning Ignorance |
Dietz-Röthlingshöfer, Helena
|
Next Generation
|
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Widerständige Erinnerungsprozessgestaltung |
Niederhauser, Nils
|
Next Generation
|
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|
|
Lully and the rise of the oboe as seen in works of art |
1988 |
Haynes, Bruce
|
HSM-Datenbanken
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
Art of Seeking |
2019 |
Kulka, Irena et al.
|
Revolving Histories
coARTex Event
|
|
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The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm |
2018 |
Messerli, Anja Paula
|
Diplom HGK
|
|
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Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra et al.
|
Memory Full
|
|
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Their time is now and tomorrow. An interview with Swiss art and media theorist Yvonne Volkart |
2025-11-03 |
Volkart, Yvonne et al.
|
Plant_Intelligence
|
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Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
Saemann, Andrea et al.
|
Revolving Histories
|
|
flags 6 - flag "Kunst" im Raum für Kunst und Philosophie (Einreichung 8) |
2021 |
Magos, Gabriel et al.
|
Revolving Histories
flags 7.9.21 ( Performatives Künstlergespräch 1)
|
|
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TOGETHER ELSEWHERE Series |
2021 |
Hochuli, Gisela et al.
|
Together Elsewhere
|
|
|
Kunsthausbesucher |
1996 |
ALMA; Kunsthaus Glarus; ALMA
|
Revolving Histories
Weihnachtsaustellung
|
|
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Die vergessenen Kinder der Kunst |
2001 |
Burger, Sarah et al.
|
Revolving Histories
THE FORGOTTEN CHILDREN OF ART FROM GLARUS
|
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.. ein Hauch von Kunst |
2013, 2014 |
Huwiler, Bernhard et al.
|
Revolving Histories
|
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The Hands of the Babylonian Slaves, Performance und Installation, Art Campus Attisholz, Switzerland. 2016. By Pedro Meier Multimedia Artist und Schriftsteller |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
Art and Kimchi |
2007 |
Hagmann, Sabine et al.
|
Revolving Histories
Lier, Johanna (Reiseberichte); Knecht, Sandra (Reiseberichte); Urweider, Raphael (Reiseberichte); Dhingra, Dolly (Reiseberichte); Elisabeth, Chantal (Reiseberichte); Hagmann, Sabine (Reiseberichte)
|
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Pedro Meier, 2019, The last Mohicans, Shamanic Climate Change Performance, Installation, Fluxus DADA, by Shaman Pedro Meier Multimedia Artist, Art Campus Attisholz |
2019 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2019
|