| Titel | Jahr | author | Event |
|---|---|---|---|
Merging Spaces |
2018 | ||
Typography Processing in Augmented Reality. Fitting/Linking/Adapting Texts to Large Objects in Open Space |
2020 | ||
Self-Reflective Visibility |
2017 | ||
Miss Moss |
2018 | ||
Visual Authenticity – Experiments, analyses & synthesis on designing authentic corporate imagery |
2017 | ||
Multiple Discrimination. Three Visual Portraits |
2017 | ||
Analog Digital – Digital Analog |
2017 | ||
A.1713 |
2020 | ||
Reviving the Sealed Memory |
2017 | ||
Körper : Zeichen. Von der Gestaltung empathischer Kommunikation über digitale Messenger |
2018 | ||
SynäsTHESIS - Die Sprache der Synästhesie |
2020 | ||
HitStories - Lara Dâmaso — Exercice in random laments |
2021 |
Dâmaso, Lara
|
|
Wasserläufer. Naturnahes Produktdesign |
2020 | ||
Heilendes Design. Der Einfluss von (Innen-)Architektur auf unsere Gesundheit am Beispiel einer psychiatrischen Klinik |
2020 | ||
Revealing the Medium. On Exposing Systems Through Failures |
2018 | ||
Ein Boot bauen |
2018 | ||
Spinning wait cursor installed on the website of the Swiss Art Awards, 01.08.2020-30.10.2020 |
2020 |
Honauer, Géraldine
|
Swiss Art Awards
|
Das Sein der Bilder oder Aus der Blauen Büchse |
1997 |
Hensler, Markus
|
|
Speculative Clothes. Explore design ideas based on offline participation mode |
2021 | ||
Invisible Borders. An outsider's perspective through a participatory approach |
2022 | ||
Through the Black Mirror |
2020 | ||
Living Traces. A Speculative Experiment on Visual Memories |
2022 | ||
The Drawing Project |
1998 |
Huwiler, Bernhard
|
|
EDUCATION SENTIMENTALE |
2018 | ||
The Other Us. Ab welchem Zeitpunkt wird die KI menschlich? |
2018 | ||
laut und gleise (das Floss). Einladung zur polyphonen Umnutzung des Taktfahrplans |
2014 |
Buergin, Mirjam
|
|
Das (zeitgenössische) Boudoir. Die Inszenierung von Intimität |
2018 | ||
FaceGrinder |
2019 | ||
DNA Journey. Erforschung der Identitätsebenen |
2018 | ||
Designing and understanding pictorial language. Pictograms: their readability and the relation between them and illustrations |
2021 | ||
A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 | ||
Mental sanctuary: Analysis on visual parameters |
2021 | ||
Visual Well-being. A visual approach to design for the subjective well-being |
2021 | ||
Radical Certainty |
2021 | ||
No Longer Body—Still Body. Images that reflect contemporary discussion on the given bodies |
2021 | ||
Visual Communication & Iconic Research |
2021 |