| Titel | Jahr | author | Event |
|---|---|---|---|
peng peng! Handbag / live vor Publikum & als Videoarbeit |
Videoarbeit 2006 / live vor Publikum 2007 |
Vogel, Andrea
|
Offene Ateliers Stadt St. Gallen
|
Contribution Nr. XXXX to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Canarezza, Rita; Coro, Pier Paolo
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. XXXX to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Iten, Elsbeth Carolin
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 12 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
collectif123; Bernauer, Yadin; Bertuchoz, Emma; Gjorgjevski, Giuliana Maria
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 123 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
sennhausbach; Hauser, Linda; Senn, Liv; Maibach, Jacqueline
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 10D to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Lavríková, Lubomíra; Vlková, Veronika
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 11 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Ghisalberti, Flavia
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 10C to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Forster, Gabriel
|
PANCH Soziale Eleganz ; Come and Show
|
Amazonian Pineapple |
2022 |
Castelblanco, Felipe
|
|
Tunda: A Quantic Plant and the Devil’s Breath |
2025 |
Castelblanco, Felipe
|
|
Becoming LYSANN |
2021 |
König, Lysann
|
|
Collection and Comparisons of Measurement Data of Historical Small-Sized Bassoons |
2023 | ||
Visual Smell Wheel: Scents of the Amazonian Chemospace |
2024 |
Castelblanco, Felipe
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 | ||
Datenmanagement an Kunsthochschulen - Anforderungen zwischen Forschung, Vermittlung und Archiv |
2022 | ||
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 | ||
Experimenting Recycling of plastics |
2018 |
Güngör, Alev; Fink, Sade
|
|
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 | ||
I Object |
2020, 2021 |
[The Field]
|
|
Diary of a Nonrealization |
2023 | ||
Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV |
2009 | ||
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 | ||
Improvisation, diminution et ornementation Pour une autre esthétique de la pratique des musiques anciennes |
2021 | ||
Decolonisation, the History of Design, and the Designs of History |
2021 | ||
The Iconography of the Viola da gamba in Ganassi's Context |
2013 | ||
Now Here: Unpacking the Hybridity of Latin American Food Products in Basel |
2026 | ||
katchamooribum degree |
2001, 2015 |
Wili, Anmari Mëtsa Yabi; Wili, Anmari
|
Europäischer Musikmonat 2001 Basel
|
Action Center |
2019 |
Tacheron, Anne-Lise
|
far° Nyon 2019
|
A Stable of Jockeys |
2020 |
Nilo, Dawn
|
WAAP Gallerlly
|
Searching for the musical mother-tongue |
2024 | ||
Kiwicha - Song |
2025 | ||
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
BANG BANG: KLEINER WERDEN |
2022 |
Grimm, Claudia
|
BANG BANG
|
What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? |
02.11.2018 |
Ferrer, Esther
|