| Titel | Jahr | author | Event |
|---|---|---|---|
Stage for disappearance |
2020 | ||
Agate Grey |
2019 | ||
Love, Transform, Repeat |
2021 | ||
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
fermentedself |
2021 | ||
Collaborations |
2018 | ||
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
Innards 1–5 |
2018 | ||
Get the bird out |
2019 | ||
Decor one to nine |
2020 | ||
k.A. |
2018 | ||
Dogs Don’t See Rainbows |
2019 | ||
Attractive Spots |
2019 | ||
Everything from shells + Buoyancy - Two sets of inland floating devices |
2021 | ||
Tralala |
2019 | ||
le souffle court |
2020 | ||
Erratic Behaviour; Heatwave |
2022 | ||
raízes de rios |
2022 | ||
Lebenswelt |
2019 | ||
july / lucy |
2018 | ||
Ich gehe täglich auf die Waage und hoffe auf ein Wunder. Preview |
2018 | ||
Photodendron |
2018 | ||
I Cry in My Calvins |
2019 | ||
Mob Mob Mob Mob Mob |
2019 | ||
magnitudes, tides and voices from the core(-horizon) |
2021 | ||
Care and Captivity |
2022 | ||
I ay eye aille 愛 – sticky eyelashes behind lavender sunglasses { it’s all real + add shiny filter } |
2022 | ||
The party is over |
2019 | ||
Stage of Confidence |
2017 | ||
(1) Matrix Digitales / (2) Ohne Titel |
2017 | ||
Table des matières / Table of contents |
2017 | ||
b#188 / working, living sculpture |
2017 | ||
(1) an eye on a reflecting plane—its lens slightly tipping the surface / (2) untitled |
2017 | ||
Eden |
2017 | ||
Kunsthaus Baselland |
2017 | ||
Adeline |
2017 |