| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Kirschblütenschwindel in Tokio 17 |
2008 |
Herzog, Samuel
|
Lemusa
|
|
Inframince |
1995, 1996 |
Herbst, Clarissa et al.
|
Revolving Histories
|
|
DOING HER - the slur edition |
2021 |
Reding, Valerie et al.
|
Revolving Histories
|
|
Seien Sie Flugdame |
1990 |
Mathis, Muda [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
Assoziationen |
2002 |
Brodnik, Igor
|
HyperWerk
|
|
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 |
Kirnbauer, Martin
|
Frühe Streichinstrumente um 1500
|
|
|
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
inKa |
2002 |
Stuber, Philip
|
HyperWerk
|
|
|
exPress |
2004 |
Schöllhorn, Arne
|
HyperWerk
|
|
|
LichtBlick |
2002 |
Koepfli, Doris
|
HyperWerk
|
|
|
Wallbration |
2002 |
Hug, Daniel
|
HyperWerk
|
|
Die Gross Geige in der Kunst am Oberrhein (Graf, Grünewald, Holbein d. J.) |
2015 |
Papiro, Martina
|
Frühe Streichinstrumente um 1500
|
|
|
transMission |
2004 |
Hunziker, Roland
|
HyperWerk
|
|
|
Interaktion im Online Journalismus |
2002 |
Schnorf, Sebastian
|
HyperWerk
|
|
|
PingPong |
2008 |
Blank, Ines
|
HyperWerk
|
|
|
VIRTUAL/PHYSICAL & TIME/SPACE |
2011 |
Franklin, Samuel
|
HyperWerk
|
|
|
Reizvoll |
2004 |
Seiler, C.
|
HyperWerk
|
|
|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
Alpina Huus, House of Deep Transformation in 11 Acts |
2015 |
Lammer, Elise et al.
|
Revolving Histories
|
|
Wellenberge |
2016 |
Bänninger, Christine et al.
|
Revolving Histories
lesjoursdesephemeres.ch
|
|
TINGEL TANGEL |
2011 |
Odermatt, Corinne et al.
|
Revolving Histories
Tingel Tangel
|
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger] et al.
|
Revolving Histories
|
|
|
cross |
2011 |
Urech, Stephan
|
HyperWerk
|
|
|
Interaktivität mit autonomen Systemen |
2002 |
Rohner, Christian
|
HyperWerk
|
|
|
Das verführerische Verhältnis zur Welt |
2014 |
Kessler, Sandra
|
HyperWerk
|
|
|
AnkerPunkt |
2012 |
Mehrtens, Johanna
|
HyperWerk
|
|
|
Hejma |
2015 |
Varisco, Luca
|
HyperWerk
|
|
|
Französische Satzmodelle des Grand Siècle |
2020 |
Menke, Johannes
|
OpenAccessPublikationen
|
|
|
VIDEBO/VLEPO |
2014 |
Glieder, Jonas
|
HyperWerk
|
|
|
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 |
Afanador-Llach, Camila et al.
|
Memory Full
|
|
|
Im abendroten Schaum der Lakkadivensee |
2020 |
Herzog, Samuel
|
Lemusa
|
|
|
NatureMeditationScene II (Meditation-Beach) |
2021 |
König, Lysann; König, Lysann
|
Revolving Histories
|
|
|
On Every Grain - Performance #1: PROCLAIM |
2019 |
[Parvez] et al.
|
Revolving Histories
KW Performances
|
|
Das magische Theater: ein Performance Labyrinth |
2017 |
[Kabinett der Visionäre] et al.
|
Revolving Histories
Langer Samstag 2017
|
|
Performanceplattform Labor |
2003-2009 |
Maag, Irene et al.
|
Revolving Histories
|
|
|
12: Steigerungen, Themen, Ausnahmen |
2020 |
von Arx, Peter; Manz, Reinhard
|
Film + Design
|