| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
OVRA Archives |
2022 |
Magaña, Renée
|
Revolving Histories
|
|
|
Was es heisst, fremd zu sein |
2017-05-26 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
B.O.M.B.E.D. - Bursting Our Memories By Enchanting Desires |
2016 |
Reding, Valerie et al.
|
Revolving Histories
Queer Biennial II: Yooth - Loss & Found
|
|
Say the names - Maya Minder |
2015-04-11 |
Sumpf, Jasmin
|
ACT Performance Festival
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 3 |
2022 |
Buol, Silvia et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 1 |
2022 |
Šterns, Ilmar et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 2 |
2022 |
Laila, Sawi et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 4 |
2022 |
Senn, Odilia et al.
|
Revolving Histories
Come and Show
|
|
|
Dynamik und Transformation |
2014 |
Burkhalter, Simon
|
HyperWerk
|
|
|
Form From |
2015 |
Rend, Daniel
|
HyperWerk
|
|
|
Like Father Like Son |
2015 |
Matare, Tendai
|
HyperWerk
|
|
|
LIK LAK |
2002 |
Hidber, Claude
|
HyperWerk
|
|
|
14 Stillstand am Südpol |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
05 Seerosengrüße aus Schweden |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
Der vertiefte Augenblick Bildstudien zu Einsichten in die Persönlichkeit |
2012 |
Däster, Martin et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Migma Programm 2009 |
2009 |
migma
|
|
|
|
Open ContributionCome and Show. PANCH Soziale Eleganz |
06.08.2022 |
Šterns, Ilmar et al.
|
Revolving Histories
PANCH Soziale Eleganz – Come and Show
|
|
|
Schalmey, Bombardino, Piffaro - Die hohen Doppelrohrblattinstrumente des ausgehenden 17. und beginnenden 18. Jahrhunderts im deutschsprachigen Raum |
Andres, Katharina
|
GrandeEcurie
|
|
|
myFunerals #6 cuttings |
2019 |
Luedi, Juerg; Zumstein, Rolf
|
Revolving Histories
Liechtenstein in Bern in Liechtenstein
|
|
|
Take your body for a walk (Score) |
2021 |
[The Field] et al.
|
Revolving Histories
Zürich Tanzt
|
|
Question Kiosk |
2021 |
[The Field] et al.
|
Revolving Histories
|
|
|
"Je me souviens" un texte et des images |
2022 |
Rosset, Anne
|
Revolving Histories
|
|
ohne Titel |
2022 |
Baer, Monika et al.
|
Revolving Histories
|
|
|
Reanimationsmassnahme. Wir bringen Leben in den Materialfriedhof |
2014 |
Wüst, Manuel
|
HyperWerk
|
|
|
Forward to Nature |
2020 |
Daeuble, Linda et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Early bowed instruments around 1500, Part I (Italy) |
2013 |
Weiner, Howard
|
Frühe Streichinstrumente um 1500
|
|
|
Migma Programm 2013 |
2013 |
migma
|
|
|
|
Migma Programm 2017 |
2017 |
migma
|
|
|
|
Supervising Students Abroad |
2017-06-24 |
Falk, Anka
|
CulturalSpace&Design - Research
|
|
|
Social Media als Booster für Projekte : Chancen und Strategien |
2025 |
Schwede, Barbara
|
Incubator for Design Cultures
|
|
LIVE LOAD // DEAD LOAD |
2021 |
Barone, Antonella [baronebreu] et al.
|
Revolving Histories
LIVE LOAD // DEAD LOAD
|
|
PUBLIC THIS-PLAY |
2017 |
Lippuner, Rafael et al.
|
Revolving Histories
Neoscope
|
|
|
Trace Place |
2009 |
Kovacevska, Verica et al.
|
Revolving Histories
BELGRADE: NONPLACES – Art in Public Space
|
|
|
Panoptikum |
2020 |
Wittmer, Mahtola et al.
|
Revolving Histories
|
|
|
acb2U |
2011 |
Eisenhut, Chantal
|
HyperWerk
|
|
|
The good, the bad and the urban |
2014 |
Geiser, Julia
|
HyperWerk
|