| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
2x Fichte |
2018 |
Huber, Judith et al.
|
Revolving Histories
Performancepreis Schweiz 2018
|
|
peeling #1 |
2015 |
Luedi, Juerg et al.
|
Revolving Histories
performanceABEND #drei Potential
|
|
|
Carnival Land |
2017-05-26 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
|
Migma Programm 2001 |
2001 |
migma
|
|
|
Lying Freely and Hurt Locker |
2010 |
Buchanan, Ruth et al.
|
Revolving Histories
Hammerstrasse 133
|
|
|
Becoming Soundscape. Listening, Perceiving and Acting |
2024-02-10 |
Team peripher_ies
|
Peripher_ies
|
|
ohne Titel |
2022 |
Baer, Monika et al.
|
Revolving Histories
|
|
Transit |
2009 |
Häberli, Valeria
|
HyperWerk
|
|
The Gathering/ Die Zusammenkunft No.1 |
2013 |
The Gathering et al.
|
Revolving Histories
The Gathering - Die Zusammenkunft
|
|
|
Zeitempfinden in Performance-Zusammenhängen Performance Text |
2011-10-07 |
Tsanana, Ewjenia et al.
|
Dokumentation Archiv Performativ
|
|
|
Johnny Barrio, Quartiergeschichten |
2015 |
Wetter, Ignaz
|
HyperWerk
|
|
|
Press Release |
migma
|
||
|
|
Bevor die Reise beginnt |
2017-06-01 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
|
OVRA Archives |
2022 |
Magaña, Renée
|
Revolving Histories
|
|
|
Was es heisst, fremd zu sein |
2017-05-26 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
LIVE LOAD // DEAD LOAD |
2021 |
Barone, Antonella [baronebreu] et al.
|
Revolving Histories
LIVE LOAD // DEAD LOAD
|
|
PUBLIC THIS-PLAY |
2017 |
Lippuner, Rafael et al.
|
Revolving Histories
Neoscope
|
|
|
Trace Place |
2009 |
Kovacevska, Verica et al.
|
Revolving Histories
BELGRADE: NONPLACES – Art in Public Space
|
|
|
Panoptikum |
2020 |
Wittmer, Mahtola et al.
|
Revolving Histories
|
|
|
Say the names - Maya Minder |
2015-04-11 |
Sumpf, Jasmin
|
ACT Performance Festival
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 3 |
2022 |
Buol, Silvia et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 1 |
2022 |
Šterns, Ilmar et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 2 |
2022 |
Laila, Sawi et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 4 |
2022 |
Senn, Odilia et al.
|
Revolving Histories
Come and Show
|
|
|
Dynamik und Transformation |
2014 |
Burkhalter, Simon
|
HyperWerk
|
|
|
Form From |
2015 |
Rend, Daniel
|
HyperWerk
|
|
|
Like Father Like Son |
2015 |
Matare, Tendai
|
HyperWerk
|
|
|
LIK LAK |
2002 |
Hidber, Claude
|
HyperWerk
|
|
|
14 Stillstand am Südpol |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
05 Seerosengrüße aus Schweden |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
Der vertiefte Augenblick Bildstudien zu Einsichten in die Persönlichkeit |
2012 |
Däster, Martin et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Migma Programm 2009 |
2009 |
migma
|
|
|
|
Open ContributionCome and Show. PANCH Soziale Eleganz |
06.08.2022 |
Šterns, Ilmar et al.
|
Revolving Histories
PANCH Soziale Eleganz – Come and Show
|
|
|
Schalmey, Bombardino, Piffaro - Die hohen Doppelrohrblattinstrumente des ausgehenden 17. und beginnenden 18. Jahrhunderts im deutschsprachigen Raum |
Andres, Katharina
|
GrandeEcurie
|
|
|
myFunerals #6 cuttings |
2019 |
Luedi, Juerg; Zumstein, Rolf
|
Revolving Histories
Liechtenstein in Bern in Liechtenstein
|
|
|
Take your body for a walk (Score) |
2021 |
[The Field] et al.
|
Revolving Histories
Zürich Tanzt
|