| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
verschidene, ist angeschrieben |
verschiedene, ist angeschrieben |
Klingler, Monica
|
Revolving Histories
|
|
Opus Acht, Acht Werke, Vereint. |
2015 |
Bodner, Sarah et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Corporate Design 2015 |
2015 |
Dillier, Thomas
|
Videocity_memoriav
|
|
|
Narrative Agency Making - Our-shared stories |
2023 |
Silberschmidt, Azura-Eve
|
HyperWerk
|
|
|
cocoa |
2006 |
Werthmüller, Maya
|
HyperWerk
|
|
|
fan out |
2011 |
Schmid, Benjamin
|
HyperWerk
|
|
dream about |
2002 |
Hody, Anne; Hody, Anne; -
|
Revolving Histories
Museumsnacht 2002
|
|
|
Kopfzerbrechen - Steven Schoch |
2010-03-28 |
von Moos, Mimi
|
ACT Performance Festival
|
|
|
Die Organisation inklusiver gestalten: Am Anfang stehen die Menschen. Und am Ende auch. |
Mittner, Dorian
|
Incubator for Design Cultures
|
|
|
|
s'installer |
2002 |
Burri, Nadine
|
HyperWerk
|
|
|
openJazz |
2002 |
Beyeler, Urs
|
HyperWerk
|
|
|
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Ohne Titel - Flurina Badel, Jérémie Sarbach |
2015-04-11 |
Sumpf, Jasmin
|
ACT Performance Festival
|
|
|
2x Fichte |
2018 |
Huber, Judith et al.
|
Revolving Histories
Performancepreis Schweiz 2018
|
|
peeling #1 |
2015 |
Luedi, Juerg et al.
|
Revolving Histories
performanceABEND #drei Potential
|
|
|
Carnival Land |
2017-05-26 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
|
Migma Programm 2001 |
2001 |
migma
|
|
|
Lying Freely and Hurt Locker |
2010 |
Buchanan, Ruth et al.
|
Revolving Histories
Hammerstrasse 133
|
|
|
Becoming Soundscape. Listening, Perceiving and Acting |
2024-02-10 |
Team peripher_ies
|
Peripher_ies
|
|
ohne Titel |
2022 |
Baer, Monika et al.
|
Revolving Histories
|
|
|
Transit |
2009 |
Häberli, Valeria
|
HyperWerk
|
|
The Gathering/ Die Zusammenkunft No.1 |
2013 |
The Gathering et al.
|
Revolving Histories
The Gathering - Die Zusammenkunft
|
|
|
Zeitempfinden in Performance-Zusammenhängen Performance Text |
2011-10-07 |
Tsanana, Ewjenia et al.
|
Dokumentation Archiv Performativ
|
|
|
Johnny Barrio, Quartiergeschichten |
2015 |
Wetter, Ignaz
|
HyperWerk
|
|
|
Press Release |
migma
|
||
|
|
Bevor die Reise beginnt |
2017-06-01 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
|
OVRA Archives |
2022 |
Magaña, Renée
|
Revolving Histories
|
|
|
Was es heisst, fremd zu sein |
2017-05-26 |
Gerber, Eliane
|
CulturalSpace&Design - Research
|
|
LIVE LOAD // DEAD LOAD |
2021 |
Barone, Antonella [baronebreu] et al.
|
Revolving Histories
LIVE LOAD // DEAD LOAD
|
|
PUBLIC THIS-PLAY |
2017 |
Lippuner, Rafael et al.
|
Revolving Histories
Neoscope
|
|
|
Trace Place |
2009 |
Kovacevska, Verica et al.
|
Revolving Histories
BELGRADE: NONPLACES – Art in Public Space
|
|
|
Panoptikum |
2020 |
Wittmer, Mahtola et al.
|
Revolving Histories
|
|
|
Say the names - Maya Minder |
2015-04-11 |
Sumpf, Jasmin
|
ACT Performance Festival
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 3 |
2022 |
Buol, Silvia et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 1 |
2022 |
Šterns, Ilmar et al.
|
Revolving Histories
Come and Show
|
|
|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 2 |
2022 |
Laila, Sawi et al.
|
Revolving Histories
Come and Show
|