| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Transformative Gerechtigkeit Üben |
2026 |
Burckhardt, Jan et al.
|
HyperWerk
|
|
|
Lemusa 01 Nord-Louvanie |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Anarchie ist machbar |
2018 |
Ebinger, Jannis
|
HyperWerk
|
|
|
Cosmic Strings II |
2018 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 |
Wentz, Jed
|
OpenAccessPublikationen
|
|
Drain |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Sullivans Creek, cemented |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
|
collint |
2008 |
Heinimann, Patrick
|
HyperWerk
|
|
|
Das fremde Gesicht |
2015-04-11 |
Stiffler, Alexandra
|
ACT Performance Festival
|
|
|
Backstage |
2015-04-11 |
Studer-Harper, Christoph
|
ACT Performance Festival
|
|
|
PRACTICING COLLECTIVITY WITH RADIOHR |
2024 |
Achermann, Jodok
|
HyperWerk
|
|
|
Der Film als integrative Methode in der Primarschule |
2018 |
Sotelo, Angel
|
HyperWerk
|
|
|
Pilotierung der internationalen Workshops – Zusammenfassung und Auswertung |
06-2016 |
Halter, Regine et al.
|
CulturalSpace&Design - Research
|
|
|
Make/Sense Assembly 2025. Practice-based Forms of Reading and Writing |
2025 |
Wang, Jackie et al.
|
e-Publications
|
|
|
Ritotop |
2018 |
Bühlman, Linda
|
HyperWerk
|
|
|
GAMA Vocabulary |
2010 |
GAMA, Consortium
|
Werke
|
|
|
Visuelle Kommentierung von Gerorges Perecs Das Leben Gebrauchsanweisung |
2011 |
Kleine, Christine et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 |
Cavazzoni, Andrea
|
Diplom HGK
|
|
|
inKa |
2002 |
Stuber, Philip
|
HyperWerk
|
|
|
Katalysatoren des Wandels Szenografische Strategien des Basler Ecological Turns ausgehend von der Chemiekatastrophe vom 1. November 1986 |
2026-05-13 |
Hänggi, Michelle et al.
|
In3
|
|
Mutual matters: Goldrausch 2021 |
2021 |
Bévand, Katharina ca 20 Jh et al.
|
e-Publications
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|
|
|
We Layer, We Connect, We Multiply |
Wappler, Tabea
|
HyperWerk
|
|
|
|
Teaching Design |
2011 |
Dainton, Nora et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
widerständige Stimmarbeit |
2026 |
Claessen, Catherine
|
HyperWerk
|
|
|
Building a Ganassi Viol |
2014 |
Kraft, Judith
|
OpenAccessPublikationen
|
|
|
The Musical Aesthetic of the Singbewegung |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
virtual valley |
2006 |
Hupfer, Andreas
|
HyperWerk
|
|
|
OUN |
2012-04-05 |
Reymond, Laetitia
|
ACT Performance Festival
|
|
|
ADVA (accessible digital visual agency) |
2025 |
Yorke, Quentin
|
HyperWerk
|
|
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 |
Weinmayr, Eva
|
e-Publications
|
|
|
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 |
Meyer, Kathrin et al.
|
Plant_Intelligence
|
|
|
Mutanta |
Vipera, Zora
|
ACT Performance Festival
|
|
|
|
Hinter den Kulissen |
2020 |
Elmaleh, Benedikt
|
HyperWerk
|
|
|
Kollektives Erinnern als widerständige Praxis für Gestaltung alternativer Zukünfte. |
2026 |
Niederhauser, Nils
|
HyperWerk
|
|
|
Say the names - Maya Minder |
2015-04-11 |
Sumpf, Jasmin
|
ACT Performance Festival
|