| Titel | Jahr | author | Event |
|---|---|---|---|
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
We Have Learned Nothing In A Thousand Years / Seven Paintings Saved Out Of A Burning House |
2019 | ||
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
Videocity visits REX Box Bern in May 2023 Utopia Today – "The Principle of Hope" (Ernst Bloch) |
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Ganassi: 'Regola Rubertina' (1542), 'Lettione Seconda' (1543). A synopsis of the text relating to the viol |
1978/1979 | ||
FIRE OF EMOTIONS : GENESIS |
2016 |
[pamina de coulon]
|
Les Urbaines Lausanne
|
Palm Reading of Tumaroh |
2019, 2020, 2021 |
Langschied, Till
|
|
The Holy Pig of Berlin |
11. Oktober 2012 |
Staehli, Nina
|
-
|
Im Schatten des Lichts |
1998 |
Kopp, Regula J.
|
|
Les Fontaines. The Making of |
2007 |
Erb, Klodin [mit]; Hagmann, Sabine [mit]; Michell, Regula [mit]; Rérat, Gabriele [mit]; Rutishauser, Eliane [mit]; Schreiber, Karoline [mit]; Wandeler, Meret [mit]; Zobrist, Agatha [mit]; Züllig, Hanna [mit]
|
2007 International Incheon Women Artist?s Biennale IWAB, Incheon/Korea
|
Das Innere der Sicht |
1988 |
Herbst, Clarissa; Rust, Dominique
|
|
Supervising Experiences of Difference – How carefully working on the research question might help to reveal cultural-bound perspectives |
2018-02-03 | ||
Die Idee des Nordens |
2021 |
Rust, Dominique; Herbst, Clarissa; Wolf, Michael
|
|
Salons der Durchlässigkeiten 2019 |
2019 |
Künzler, Astrid
|
Kunst im Depot 2019
|
Transformer - Aspekte der Travestie |
2020 |
Schmalz, René; Gombas, Gabriella
|
|
Ahnung des Abschieds |
2016 |
Simon, Regina
|
“Klimagarten 2085”, Kunst & Botanik, ETH Zürich
|
The Ray of Harald Zeemann |
2014 |
Canarezza, Rita; Coro, Pier Paolo
|
Roaming - Riposizionamenti
|
flags 5 - podcast GCAS - "Flags and performances - in search of a new sandbox" (Einreichung 7) |
2021 |
Magos, Gabriel; Prasadika, Thilini
|
Who is afraid of the humanities - podcast Serie GCAS
|
Performance von HALLE K |
2022 |
Steffen, Karl [Halle K]; Hollenstein, Marcel [Halle K]
|
Come and Show
|
Videocity zu Gast in der REX Box Bern im Mai 2024 «Simply Nature – To the Point of Illusion» |
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Femmes du Pelourinho |
2012 |
[Charlatan]; Fleury, Jean Damien
|
|
Die Musikalität der Dinosaurier |
2003 |
[Butch&Baumann]
|
Museumsnacht 2003
|
das verschieben der blickachsen 2001 |
2001 |
Buol, Silvia
|
Ausstellung "Hannah Villiger"
|
Survival of an Artist |
2018 |
König, Lysann
|
|
A Fur of Fear |
2017 |
Mathis, Muda; Zwick, Sus; Hauert, Sibylle
|
Guyu Performance Festival China
|
Die Flecken der Giraffe |
1997 |
Rust, Dominique; Wolf, Michael; Zimmermann, Joey; Herbst, Clarissa
|
|
Die vergessenen Kinder der Kunst |
2001 |
Burger, Sarah; Vogt, Anne; Streiff, Barbara
|
THE FORGOTTEN CHILDREN OF ART FROM GLARUS
|
Im Schatten des Lichts |
1998 |
Kopp, Regula J.
|
Abschlussarbeit nach dem Stipendienjahr am Schweizer Institut in Rom
|
Fotos von Performancezeichnungen und Diverse Videos von Zeichnungsperformances |
2021 |
Simon, Regina
|
|
In der Backstube des Denkens |
2017-2019 |
Radelfinger, Peter
|
|
FIRE OF EMOTIONS : THE ABYSS |
2017 |
[pamina de coulon]
|
|
7 Tage Ritual Theater |
1998 |
S. Otong, Boedi; Sikka, Mala; Gassmann, Verena; Isler, Andreas
|
|
Schutz/los/lassen |
2021 |
Grieder, Andrea
|
SICHTBAR? SICHTBAR? Performance Summer Special
|
Das Vermächtnis der Medusa |
2021 |
Goessi, Markus
|
Performance Reihe Neu-Oerlikon
|
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 | ||
The making of a Tintoy Orchestra |
2020 |
Grau, Pascale
|
Let's Play Shedhalle
|