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Claude Lichtenstein talks about his forthcoming two-volume book The Gravity of Ideas / Die Schwerkraft von Ideen, in conversation with Meret Ernst. Speakers: Claude Lichtenstein and Meret Ernst

Penny Sparke introduces her book Nature Inside: Plants and Flowers in the Modern Interior, in conversation

The expanded cinema performance ‘Palestinian Wildlife Series’ parallels posthuman and postcolonial circumstance Chronicling the experimentation and process that went into this work of ‘animal-video choreography’, the author interweaves research on Palestine, materialist film, and Afrofuturist thought. outcome the author comes to defend. ethnic and postcolonial studies are concerned.

Materials include photographs, audio recordings and writings sourced from performances the author participated

, and used to articulate an approach to collaborative creative practice that furthers the discourse of An expanded conversation occurs between materials, creative practitioners, and the architectural site This conversational approach is extended through an experimental writing project, where a “cut-up” writing technique functions as a third author that disrupts, complicates, and needs to be accounted for through journey of creatively “getting to know” a building.

Through a walking methodology and autoethnography, the present exposition demonstrates how the author tracks for listening and co-walking, as well as illustrations created by Julia Järvelä based on photographs taken by the author. The exposition is a conversation between critical military studies and artistic research: it gives artistic as companions from the outside.

After an introductory chapter on theory and method, there are four chapters treating of the author`s academic training as an artist (Ch. 2), a presentation and analysis of his own exhibitions (Ch. 3), a chapter on a cooperative effort entitled Pompeii in Time and Space (Ch. 4), and a concluding discussion of the nature of personal knowledge (Ch. 5). Since the author`s own professional knowledge is the object of the research, special perspectives on Ragnar Sandberg var intresserad av renässansen och klassicismen och då främst Nicolas Poussin60, men B. återgav ofta barn och ungdomar, karakteriserade av humor och glädje. 60 Poussin, Nicolas, 1594–1665 visar runt en yngre dam i Ceis hus, Casa dei Cei. Butterwoth A., Laurence R. (2005) Pompeii the living city. London: Weidenfeld & Nicolson. Clark, J. S 16 Platon 15 Polanyis, Michael 16 Poussin, Nicolas 64 Rappaport, Leon 152 Ratkic´, Adrian 18 Rauschenberg