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Ganassi – Arbeitstagebuch
Ganassi – Arbeitstagebuch
Schürch, Stephan (2014)
OpenAccessPublikationen
1
Bau einer Gambe nach Ganassi
Bau einer Gambe nach Ganassi
Mark, Günter (2014)
OpenAccessPublikationen
1
ADVA (accessible digital visual agency) EN
ADVA (accessible digital visual agency) EN
Yorke, Quentin (2025)
HyperWerk
1
Points of Inversion: Upending Structural Narratives in Design History
Points of Inversion: Upending Structural Narratives in Design History
Zabolotney, Bonne (2021)
Memory Full
1
The Iconography of the Viola da gamba in Ganassi's Context
The Iconography of the Viola da gamba in Ganassi's Context
Papiro, Martina (2013)
OpenAccessPublikationen
1
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente
Menzel, Kathrin (2013)
OpenAccessPublikationen
1
Zur Ikonographie der Viola da gamba im Umfeld Ganassis
Zur Ikonographie der Viola da gamba im Umfeld Ganassis
Papiro, Martina (2013)
OpenAccessPublikationen
1
It's all about Love
It's all about Love
De Pinto, Pier Giorgio et al. (2009)
Revolving Histories
4 1 1
darkmatter
darkmatter
Nolla, Alejandro et al. (2013)
Institut Integrative Gestaltung / Masterstudio
1
A missing narrative of Ghana’s graphic design history
A missing narrative of Ghana’s graphic design history
Okyere, Mark et al. (2021)
Memory Full
1
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020)
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020)
Drescher, Thomas (2022)
OpenAccessPublikationen
1
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi
Hirsch, Thilo (2013)
OpenAccessPublikationen
1
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest?
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest?
Lucas, Frances (2021)
Diplom HGK
8 2
Notes from Amaranth Land
Notes from Amaranth Land
Mensch, Julia (2023)
Plant_Intelligence
8
Barcode Scenario
Barcode Scenario
Fieni, Matteo; Fieni, Matteo (From 2016 onwards)
Revolving Histories
6 2
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media
Giannone, Carola et al. (2015)
Institut Integrative Gestaltung / Masterstudio
1
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings
Downey, Peter (2021)
OpenAccessPublikationen
1
Detrás de la Noche [Behind the Night]
Detrás de la Noche [Behind the Night]
Castelblanco, Felipe (2025)
Plant_Intelligence
1 4 1
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion
Kirnbauer, Martin (2013)
OpenAccessPublikationen
1
Lights Off
Lights Off
Toledo, Martha et al. (2016)
Institut Integrative Gestaltung / Masterstudio
1
Library of Inclusions and Omissions
Library of Inclusions and Omissions
Weinmayr, Eva (2016)
e-Publications
1 1 1
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective
Tonkin, Leanne (2021)
Memory Full
1
Application
Application
Team peripher_ies (2023-03-14)
Peripher_ies
1
Spontaneous reactions cannot anticipate developments over time
Spontaneous reactions cannot anticipate developments over time
Team peripher_ies (2024-10-21)
Peripher_ies
1
Privacy-Free Zone (2016*)
Privacy-Free Zone (2016*)
Fieni, Matteo; Fieni, Matteo (2016)
Revolving Histories
3 1 3
The other of us - At what point does AI become Human?
The other of us - At what point does AI become Human?
Simeonidou, Despina et al. (2018)
Institut Integrative Gestaltung / Masterstudio
1 2
La guitare en France vers 1800 Textes du projet de recherche
La guitare en France vers 1800 Textes du projet de recherche
Valois, Pascal (2014)
OpenAccessPublikationen
7
Rybeben am Hof Maximilians I.
Rybeben am Hof Maximilians I.
Kirnbauer, Martin (2015)
OpenAccessPublikationen
1
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary
OpenAccessPublikationen
1
Re-engaging with Design History through the Practical Turn
Re-engaging with Design History through the Practical Turn
Eggink, Wouter et al. (2021)
Memory Full
1
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis
Smith, Anne (2020)
OpenAccessPublikationen
1
Sichtbar, Unsichtbar
Sichtbar, Unsichtbar
Steinegger, Simone et al. (2015-04-11)
ACT Performance Festival
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun
Wiesel, Jörg (2015-04-10)
ACT Performance Festival
Controlling Crowds
Controlling Crowds
ACT Performance Festival
Beyond Trinity
Beyond Trinity
Balint, Anna et al. (2015-04-11)
ACT Performance Festival
Lecture I
Lecture I
Scheidegger, Sarina et al. (2015-04-10)
ACT Performance Festival