Applied Fine Performing Arts
Titel
***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition
Datum
16/07/2020
Inventarnummer
#zotero2-2758283.Y7G7SQT8
Autor/en
Norman, Paul (Author)
Abstract
At the end of ‘Sentences on Conceptual Art’ (1969), Sol LeWitt states: “these sentences comment on art but are not art.” In the same work he also remarks, “If words are used and they proceed from ideas about art, then they are art and not literature, numbers are not mathematics,” thus creating a paradigm. Is writing or talking about artistic ideas art or not?
… Let’s say for now that it could be.
John Cage famously defined music as the “organisation of sound” perhaps though, reflecting on the origin of the word composition as coming from the Latin componere meaning to “put together”, the ‘organisation of things’, may be a more suitable definition. Not only sound, but all elements of a performance could or perhaps should be organised, put together or composed.
Consider the situation where your (yes, you the readers) organisational decisions matter. Maybe it’s as simple as ‘do I read the text or look at the given example first?’ These decisions matter, they effect what is communicated and when, what knowledge or assumptions are carried and for how long. These decisions are thus meaningful and potentially compositional in nature, establishing a new question. Is all reading compositional?…
…Let’s say for now that it could be.
Notes

Affiliation: Birmingham City University (Royal Birmingham Conservatoire)

https://creativecommons.org/licenses/by-nc-nd/2.0/

Metadata
LibraryCatalog www.researchcatalogue.net
Rights CC BY-NC-ND 2.0
Issue 20
Key Y7G7SQT8
DateModified 2021-07-02T10:16:31Z
AccessDate 2021-04-14T11:47:02Z
DOI https://doi.org/10.22501/jar.498916
Language en
DateAdded 2021-04-22T13:15:49Z
PublicationTitle Journal for Artistic Research