Decolonial Queer (Under)Worldmaking In Contexts of Dispossession. A Trilogy of Caves.

Rincon Gallardo Shimada, Naomi

This dissertation is the result of an artistic research that materializes in a group of transdisciplinary artworks that I call A Trilogy of Caves. The queer/decolonial (under)worldmaking projects that compound the trilogy, namely The Formaldehyde Trip, Heavy Blood and Opossum Resilience, address racialized women*’s stories of resistance against the dispossession of their lands,…

Wien

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AccessDate: 2021-03-16T10:51:51Z
DateAdded: 2021-03-16T10:51:51Z
DateModified: 2021-07-15T12:34:16Z
Key: PR7MRBQG
Language: Eng
LibraryCatalog: repository.akbild.ac.at
Rights: Closed
ThesisType: PhD
University: Akademie der Bildenden Künste Wien

- Applied Fine Performing Arts

Decolonial Queer (Under)Worldmaking In Contexts of Dispossession. A Trilogy of Caves.

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Decolonial Queer (Under)Worldmaking In Contexts of Dispossession. A Trilogy of Caves.

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