Abstract
Through a small hole in the wall the audience are able to look into an old rum tank which in itself becomes a sound amplifier. Inside are four black lights installed and cotton are spread on the floor. A male performer is laying flat on the floor, breathing heavily while his female partner is standing against the back wall. An interaction between moving bodies, sound, cotton and light begins. Besame mucho becomes an imagined place where all these elements kisses each other and lets the audience gain insight in these intime moments. It is a play between the voyeur and the „innocent“ exhibitionist.