'Kill me, but not completely' is an installation-performance that combines found materials, voice, movement, sound, and projection to explore repetition, longing, and return. Centered on the Romanian folk song Mărie și Mărioară, the work unfolds as a cyclical spatial experience in which objects and bodily actions generate new relationships through activation and arrangement.
Moving between ritual and improvisation, structure and instability, the performance examines how repetition can transform emotional states without resolving them. Meaning emerges through embodied experience and the audience’s movement within the installation, creating an intimate encounter between space, material, and performance.
