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The Document as Music. Exploring the musicality of verbatim material in performance

During a four-week fellowship at the LMU Munich in 2016, Bella Merlin (UC Riverside, USA) and David Roesner (Theatre Studies, LMU Munich) investigated the relationship between original interview material and its (musical) staging. In particular, they explored the ethics and aesthetics that musicalisation might present in relation to the speech patterns, vocal inflections and rhythms of their interview partners from across three generations in three different countries. In this article they will draw conclusions from their working process, which address questions about verbatim theatre and musicality beyond their particular study.
11/04/2018
https://www.researchcatalogue.net/profile/show-exposition?exposition=353508


Full spec

AccessDate
2021-04-14T13:41:21Z
DOI
https://doi.org/10.22501/jar.353508
DateAdded
2021-04-22T13:14:15Z
DateModified
2021-08-10T11:55:17Z
Issue
15
Key
ZN89443X
Language
en
LibraryCatalog
www.researchcatalogue.net
PublicationTitle
Journal for Artistic Research
Rights
Open Closed