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Digitally Produced Jewellery: Tactile Qualities of a Digital Touch

The importance of tactile contact between the artist and their jewellery has increased over the last decade. More and more artists now implement digital technologies into their work process. This raises questions about the notion of tactility, something that is usually associated as something tangible or given to touch. The authors show that there is a different sensorial mode of engagement with jewellery presented on the screen: during the 3D modelling process or 3D printing. This article aims to investigate the intangible qualities of tactility in the field of digital crafts, while focusing on the material, technical, performative, and psychological aspects. The outcomes include a set of tactile qualities evoked by screen-oriented labour and machinery production: resolution sensitivity, thin-skinned data, psycho-performative realism; and fingerprints, incompleteness and glitch.
28/12/2019
https://www.researchcatalogue.net/profile/show-exposition?exposition=612909


Full spec

AccessDate
2021-04-14T12:09:10Z
DOI
https://doi.org/10.22501/jar.612909
DateAdded
2021-04-22T13:15:29Z
DateModified
2021-08-10T11:55:52Z
Issue
19
Key
QQHBCTH5
Language
en
LibraryCatalog
www.researchcatalogue.net
PublicationTitle
Journal for Artistic Research
Rights
Open Closed
ShortTitle
Digitally Produced Jewellery