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Anarchiving (in) Ben Patterson's Variations for Double-Bass

Williams, Christopher
Here I employ techniques of anarchiving to explore the dynamics of notation, improvisatory performance, and analysis in Fluxus artist Ben Patterson's Variations for Double-Bass (1961). Coined by process philosophers Erin Manning and Brian Massumi, the concept of the anarchive refers to "a repertory of traces of collaborative research-creation events. The traces are not inert, but are carriers of potential." Variations' proto-anarchival qualities drive the structure of the exposition, which includes superimposed video documentation from my own performances, as well as brief analytical texts and performance instructions for the reader. I hope that this meta-anarchival process both sheds light on Patterson's work, and shows how documentation and analysis in the spirit of the anarchive can propel experimental (musical) practice forward in unexpected ways.
28/09/2018
https://www.researchcatalogue.net/profile/show-exposition?exposition=387316

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anarchive experimental music feminism fluxus improvisation notation process philosophy applied fine performing arts issue 16 jar - journal for artistic research

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Applied Fine Performing Arts - JAR - Journal for Artistic Research - Issue 16 Applied Fine Performing Arts - JAR - Journal for Artistic Research Applied Fine Performing Arts catalog - mediathek catalog - network catalog - Artists catalog - HGK catalog - HGKplus

Full spec

AccessDate
2021-04-14T13:19:08Z
DOI
https://doi.org/10.22501/jar.387316
DateAdded
2021-04-22T13:14:28Z
DateModified
2021-08-10T11:55:26Z
Issue
16
Key
PNGU7PFK
Language
en
LibraryCatalog
www.researchcatalogue.net
PublicationTitle
Journal for Artistic Research
Rights
Open Closed

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