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Delirious Brahms

Buene, Eivind
The institutions of classical music could be regarded as sites of performance and production, and the apparatus and situation of performance as material for the composer. My work 'Johannes Brahms Klarinettentrio' revolves around the idea of composing with the situation of the chamber music performance. The composition is an intervention by way of the paranoid-critical method adapted from Dali by architect Rem Koolhaas: A chamber music ensemble is sitting on stage, performing what seems to be Johannes Brahms's Clarinet Trio (1891). But gradually both the music and the interplay between musicians change, thereby altering the expectations of the audience during the course of listening. As the piece unfolds, the acoustic instruments are overtaken by electronic equipment and sounds. The work is an attempt to challenge the tranquilising flow of chamber music, to open the situation to the possibility of the unexpected.
16/12/2013
https://www.researchcatalogue.net/profile/show-exposition?exposition=23627

Tags

brahms rem koolhaas chamber music classical music unexpected applied fine performing arts issue 4 jar - journal for artistic research

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Applied Fine Performing Arts - JAR - Journal for Artistic Research - Issue 4 Applied Fine Performing Arts - JAR - Journal for Artistic Research Applied Fine Performing Arts catalog - mediathek catalog - network catalog - Artists catalog - HGK catalog - HGKplus

Full spec

AccessDate
2021-04-16T09:56:39Z
DOI
https://doi.org/10.22501/jar.23627
DateAdded
2021-04-22T13:11:42Z
DateModified
2021-08-10T11:53:14Z
Issue
4
Key
P4T447SA
Language
en
LibraryCatalog
www.researchcatalogue.net
PublicationTitle
Journal for Artistic Research
Rights
Open Closed

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