Palestinian Wildlife Series: embodiment in images, critical abstraction
Chronicling the experimentation and process that went into this work of ‘animal-video choreography’, the author interweaves research on Palestine, materialist film, and Afrofuturist thought. The exposition reflects on the impact upon Khalil’s work of women performance artists and avant-garde jazz musician Sun Ra, presenting a journey from text-based and signifier-heavy early experiments to the wordless and open-ended cinematic outcome the author comes to defend.
Drawing on her transition from live performance to moving image production, this exposition will interest those concerned with interdisciplinarity and embodiment in digital imagery. It examines alternative modes of art activism and political uses of abstraction and experimentalism in art, specifically where critical ethnic and postcolonial studies are concerned. It supports discussions of rights and representation within artistic research and beyond from a diasporic perspective.
Affiliation: Theatre Academy Helsinki
afrofuturism performance artistic research embodiment intercultural interdisciplinarity moving images participatory spectatorship postcolonialism posthumanism applied fine performing arts issue 10 jar - journal for artistic research
Applied Fine Performing Arts - JAR - Journal for Artistic Research - Issue 10 Applied Fine Performing Arts - JAR - Journal for Artistic Research Applied Fine Performing Arts catalog - mediathek catalog - network catalog - Artists catalog - HGK catalog - HGKplus
- Journal for Artistic Research
- Open Closed
- Palestinian Wildlife Series